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Lions of The Empire

COMPLETE TRILOGY

Medieval military–history buffs will be intrigued, though readers looking for subtle drama won’t be as impressed.

In Robert’s sweeping debut novel—“the complete trilogy”—the fall of an empire leads to a half-century of warfare before peace and unity are restored.

Robert’s forward implies that this story is based on true events of “a thousand odd years ago,” and the vaguely Mitteleuropean character of places and people—Nordenkraj, Zentralenkraj, Vasserkraj—suggests that it’s meant to be the Holy Roman Empire. What starts as a petty grab for power on the part of an aging emperor’s young wife brings down an already shaky, corrupt government. In the aftermath of this coup, some men unite in a general allegiance to the idea of an empire; others are merely out for what they can get. The main characters who emerge are Howster, who uses his craftiness and military prowess to get the boy emperor under his control, and the trio of Lucent, Gordon and Max, brothers in arms who prove themselves as mercenary soldiers before Lucent’s noble blood leads him to a position of power in the mining city of Bergenkraj. Though successful warriors in different ways, these latter three only come into their own when Lucent happens upon a mysterious hermit named Fabian who turns out to be a genius at military strategy. Opposed to them is a long line of villains, all ultimately done in by their own greed, cruelty and senselessness. After episodes of back-stabbing and whirlwind side-changing in the immediate aftermath of the empire’s dissolution, the land settles into three kingdoms, until finally, about three generations after the crisis, the empire is reunited. (Oddly, after the empire’s collapse, no outside force attempts to take advantage of the chaos; it’s all infighting among former regions of the empire.) Although well-written, the narrative reads more like a military history than a novel, describing events rather than allowing the story to come to light through the interactions of its characters. For instance, when Lucent meets Fabian, readers are told he “was impressed by Fabian’s calmness as he discussed [his plans],” but those plans aren’t conveyed. Rare female characters rapidly disappear once they’ve served their purpose in the male agenda; for instance, the deaths of Lucent’s first wife and a heretofore unknown son in a plague are mentioned in passing for no apparent reason other than to explain an insult. Admittedly, adequately dramatizing a tale of this heft would result in a book even longer than these current 700-plus pages.

Medieval military–history buffs will be intrigued, though readers looking for subtle drama won’t be as impressed.

Pub Date: Dec. 1, 2012

ISBN: 978-0987994943

Page Count: 706

Publisher: William Robert

Review Posted Online: July 8, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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