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LAST WORDS

THE FINAL JOURNALS OF WILLIAM S. BURROUGHS

This last testament by American cultural icon Burroughs (Ghost of Chance, 1995, etc.) comprises the disjointed diary entries the terminally ill author jotted down between November 14, 1996, and August 1, 1997. In one diatribe after another, the self-described writer, scribe, and—by ancient analogy—priest addresses a host of topics from US drug policy to feline purring habits. While most of his ramblings are incoherent, one message is heard loud and clear: What the American Narcotics Department is doing is pure Evil. Burroughs tirelessly extols the benefits of cannabis as a painkiller and an aphrodisiac, attributing his own best writing to its stimulating effect. Disposing of political leaders as "certifiably insane," he goes on to attack "American values" for their blunt hypocrisy, psychoanalysis for shifting responsibility and overlooking the organic causes of many disorders, Bible Belt Christianity for "ignorance, stupidity, and barely-hidden bigotry," and feminists for humorless self-righteousness. When Burroughs shows rare signs of affection, it is directed either to his house cats or to friends like Allen Ginsberg, whom he lauds for publicly addressing "explicit homo-sex." Despite citations of Keats, Verlaine, Villon, Stein, and Fitzgerald, literary matters rank low on Burroughs's priority list. He shows some concern for the future of writing, but his brief remarks about his own reading material—ranging from spy novels to The New Yorker—are uninspiring. His bodily functions preoccupy him far more, and the reader will be repeatedly informed about "the toll Chinese food took" on his gut, and his sensations after a cataract operation. Dreams about sex (often with strangers), insects, and pets are central to most entries. The telegraphic style is mitigated by epigrammatic witticisms ("As for Humanity, most of them is only good to feed cats") and puns ("Gingrich, Squeaker of the House"). Perhaps not intended for the public eye and definitely in need of heavy editing, these notes may disappoint even the most fervent Burroughs fans.

Pub Date: Feb. 1, 2000

ISBN: 0-8021-1657-4

Page Count: 320

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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