Goofball, genius or canny self-promoter? The jury is still out, but Shatner is indisputably a born storyteller.
Engaging recollections of an unrepentant ham actor who, by dint of a self-aware sense of humor, eagerness to please and sheer dogged persistence has earned the deep affection of legions of fans and cemented his status as one of the most recognized celebrities on the planet.
All the above qualities are fully evident in Shatner’s irreverent, amusing memoir, which leavens the expected silliness with startlingly candid and emotional passages about his chronic loneliness and the tragic drowning death of his wife Nerine. An undercurrent of sadness runs just beneath the surface of his whimsical anecdotes, revealing a man deeply anxious about financial security—which goes some distance toward excusing his apparently irresistible urge to plug his website and its memorabilia store—and strangely disconnected from his peers. (He was unaware of his Star Trek shipmates’ antipathy toward him until years after the show ended.) Shatner’s donkeylike work ethic resulted in an uncommonly rich and eventful career encompassing the golden age of classic television drama; countless roles on nearly every dramatic series of the ’60s and ‘70s; innumerable game shows, documentaries, commercials and specials; and ridiculously terrible movies like Incubus, infamous for its all-Esperanto dialogue. A late-in-life hot streak brought him an Emmy and Golden Globe for the slick dramedy Boston Legal, but the continuing global phenomenon of Star Trek will always be the most notable job on his resume. Shatner has funny and surprising things to say about it all, dishing on co-stars and marveling at a history that includes working with the likes of Spencer Tracy in Judgment at Nuremberg one day, a nude scene with Angie Dickinson in Big Bad Mama the next. Also included: accounts of bow hunting for bears, ill-advised paragliding and a puzzling defenses of his epically bemusing spoken-word album, The Transformed Man.
Goofball, genius or canny self-promoter? The jury is still out, but Shatner is indisputably a born storyteller.Pub Date: May 13, 2008
ISBN: 978-0-312-37265-1
Page Count: 368
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
SEEN & HEARD
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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