by William Sleator ‧ RELEASE DATE: Oct. 20, 1983
Sam's mother concocts an impossible scheme to rescue younger son Humphrey's musical career, and the unlikely plan seems to work in this loony, unstrained narrative. Humphrey wakes up believing he has become the medium for deceased gypsy pianist/composer Laszlo Magyar; his family describes his strange behavior the night before and a new score is in his hand. What's more, even music specialists in the audience of his otherwise lackluster concert acknowledge both the Magyar style in the piece and Humphrey's higher artistry in the playing. Suddenly, he's in demand, playing Milan, Geneva, Vienna. In truth, though, his family is tricking him: Sam actually writes the compositions and their mother drugs Humphrey with Seconal so he won't remember the night before. But then weird things happen that also happened to Magyar, and a strange old man appears at the end of each performance, correcting the composition. Sleator has his own choice parody here as Sam takes his inspiration from hotel radiator noises and reads in a biography of Magyar hilarious gypsy anecdotes. But their situation rests on harsher realities and includes some sad truths of family life. Jealousy and other feelings force Sam to spill the beans to increasingly uppity Humphrey—who really suffers from the news—yet that stage mother still wants the show to go on. Sam tells it all with such brisk good humor that though the parents are manipulative the story is not. Even readers unfamiliar with music terms and room service menus can follow the notes and savor the gypsy in these souls.
Pub Date: Oct. 20, 1983
ISBN: 0765353490
Page Count: 212
Publisher: Atheneum
Review Posted Online: May 9, 2012
Kirkus Reviews Issue: Oct. 1, 1983
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by Stephanie Garber ‧ RELEASE DATE: Jan. 31, 2017
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Gary Paulsen ‧ RELEASE DATE: Sept. 1, 1987
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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