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TOBY, WHAT ARE YOU?

Steig is a master—if not the master—of turning on the endearment juices without getting sloppy about it. That’s because his artwork has just the right touch of the jughead to give the drollery an eccentric edge. Take away that marriage of word and art and you have, for instance, this book, a real cuddlefest, but not the kind of dance that steals your breath away. Steig’s strange world enwraps readers from the first sentence: “Arriving home one day, Toby’s father is surprised to see his son lying facedown by the door.” What gives? Toby’s pretending to be a doormat. Each two-page spread thereafter finds Toby striking some curious pose and asking his parents to guess what he is. A turnip? No, a bag of dirty laundry. A fish trapped in a net? Nope, a plate of spaghetti. A knot? Wrong again, a pair of scissors. Toby and his parents are weasels with great dewy eyes, drawn with a soft dreaminess, so that their being winsome in the extreme is a foregone conclusion. They’re also not a touch vapid. While this follow-up to Toby, Where Are You? (1997) has doubtless appeal, this one isn’t as clever as the first and the longevity of that appeal is not so indubitable. (Picture book. 2-5)

Pub Date: May 31, 2001

ISBN: 0-06-205169-5

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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THE BIGGEST KISS

Although a bit on the slight side, this offering is infused with a warm, light humor just right for cuddling up with a young...

This title previously published in the U.K. takes a cozy look at all kinds of kisses.

Walsh’s rhyming text is full of cutesy rhythms: “Kisses on noses, kisses on toes-es. Sudden kisses when you least supposes.” Sometimes the phrasing stumbles: “Who likes to kiss? I do! I do! Even the shy do. Why not try, too?” But toddlers and young preschoolers will probably not mind. They will be too engaged in spotting the lively penguin on each spread and too charmed by Abbot’s winsome illustrations that fittingly extend the wording in the story. Patient dogs queue up for a smooch from a frog prince, cool blue “ ’normous elephants” contrast strikingly with bright red “little tiny ants” and a bewildered monkey endures a smattering of lipstick kisses. Be the kiss small or tall, one to start or end the day, young readers are reminded that “the very best kiss… / is a kiss from you!” Perhaps no big surprise but comforting nonetheless.

Although a bit on the slight side, this offering is infused with a warm, light humor just right for cuddling up with a young tyke or sharing with a gathering for storytime.     (Picture book. 2-5)

Pub Date: Dec. 20, 2011

ISBN: 978-1-4424-2769-3

Page Count: 32

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Nov. 19, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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