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THE BEST AMERICAN TRAVEL WRITING 2012

Mostly engaging, diverse tales of offbeat travel adventures.

The latest intriguing batch of travel writing from the venerable series.

With series editor Wilson, National Book Award winner Vollman (Imperial, 2009, etc.) pulls together a wide range of pieces, including Monte Reel's look at how to explore the world like a Victorian gentleman and Elliott D. Woods’ essay on the zabaleen, or garbage pickers, in the Garbage City of Cairo. “There are real-life garbage kings in the village with informal businesses worth millions of dollars,” writes Woods, “but most of the 60,000 in the Garbage City live modest lives defined by hard labor and strong family obligations.” Indeed, many of the pieces will not make readers hurry to follow the narrator's footsteps—e.g., Henry Shukman's visit to Chernobyl, where a strange lushness permeates the region, or J. Malcolm Garcia's haunting and brutal piece on a murder where everyone knows what happened, but no one is willing to talk for fear of reprisal. Other narratives may entice fellow travelers, however—e.g., Paul Theroux's short piece on the Maine coast and, for those with a religious bent, Kimberly Meyer's essay on the elaborate Passion play performed each year in the Holy City of the Wichitas. From crossing the border in Tijuana in search of the Tijuana Sports Hall of Fame, to walking the border fence between the United States and Mexico, these stories, from such publications as National Geographic, Outside, Esquire and the Atlantic, undoubtedly bring a taste of adventure to readers. Though not filled with glamor and glitz, they open a window onto the strange, seedy and beautiful in the world, offering readers glimpses into places that many will never see or experience except through the eyes and words of these writers.

Mostly engaging, diverse tales of offbeat travel adventures.

Pub Date: Oct. 2, 2012

ISBN: 978-0-547-80897-0

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 2, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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DRAFT NO. 4

ON THE WRITING PROCESS

A superb book about doing his job by a master of his craft.

The renowned writer offers advice on information-gathering and nonfiction composition.

The book consists of eight instructive and charming essays about creating narratives, all of them originally composed for the New Yorker, where McPhee (Silk Parachute, 2010, etc.) has been a contributor since the mid-1960s. Reading them consecutively in one volume constitutes a master class in writing, as the author clearly demonstrates why he has taught so successfully part-time for decades at Princeton University. In one of the essays, McPhee focuses on the personalities and skills of editors and publishers for whom he has worked, and his descriptions of those men and women are insightful and delightful. The main personality throughout the collection, though, is McPhee himself. He is frequently self-deprecating, occasionally openly proud of his accomplishments, and never boring. In his magazine articles and the books resulting from them, McPhee rarely injects himself except superficially. Within these essays, he offers a departure by revealing quite a bit about his journalism, his teaching life, and daughters, two of whom write professionally. Throughout the collection, there emerge passages of sly, subtle humor, a quality often absent in McPhee’s lengthy magazine pieces. Since some subjects are so weighty—especially those dealing with geology—the writing can seem dry. There is no dry prose here, however. Almost every sentence sparkles, with wordplay evident throughout. Another bonus is the detailed explanation of how McPhee decided to tackle certain topics and then how he chose to structure the resulting pieces. Readers already familiar with the author’s masterpieces—e.g., Levels of the Game, Encounters with the Archdruid, Looking for a Ship, Uncommon Carriers, Oranges, and Coming into the Country—will feel especially fulfilled by McPhee’s discussions of the specifics from his many books.

A superb book about doing his job by a master of his craft.

Pub Date: Sept. 5, 2017

ISBN: 978-0-374-14274-2

Page Count: 208

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 8, 2017

Kirkus Reviews Issue: June 1, 2017

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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