A promising novel that doesn’t quite live up to its potential.
A promising young man is killed in the 9/11 terrorist attacks.
Jack Conroy has it all–wealthy parents, a beautiful girlfriend, a business degree from Duke (where he was captain of the swim team) and the sincerity and kindness of a saint. After graduation, Jack must make a difficult decision: follow in his father’s footsteps on Wall Street or take a job as a landscape designer for a local nursery. His heart says nursery; his parents say New York. So he takes the Wall Street job, in the south tower of the World Trade Center, but when the terrorist attacks occur on Sept. 11, Jack is killed. The second part of the story follows Jack’s parents, Catherine and Alexander, and Veronica, his girlfriend, as they cope with their loss. Alexander and Catherine have been living a largely empty life in New Jersey. After the tragedy, the couple spiral further downward, Catherine losing herself in memory and the past and Alexander drinking away his sorrows, in scenes that smack of melodrama and cliché. Meanwhile, Veronica has gone home to her parents, where her severe depression over Jack’s death–and her belief that, by not stopping Jack from taking the job in New York, she was complicit in his death–is compounded by the revelation that she is pregnant with Jack’s baby. Unfortunately, this narrative, far more interesting and potentially complex than that of Jack’s distasteful parents, does not get the attention it deserves. Indeed, the major flaw of the novel is its overall skimpiness. Kinsella clearly has ability, but the lack of real character development and overly simplistic, pop-psychological portrayals of Jack’s loved ones drain whatever emotional power the climactic scenes might have held.
A promising novel that doesn’t quite live up to its potential.Pub Date: June 4, 2007
ISBN: 978-1-4241-6688-6
Page Count: 259
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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