Readable enough, but disappointingly short on dramatic appeal or sociological insight.
Freelance journalist Van Meter recounts the grisly killing of an 18-year-old college student.
The murder of Katie Autry and subsequent arrests of two local men for the crime was a regional media sensation in May 2003. The victim, who moonlighted at a topless bar, was beaten, strangled and then set on fire in her dorm room at Western Kentucky University. Two 21-year-olds from nearby Bowling Green were later charged. One, a high-school dropout named Stephen Soules, eventually pleaded guilty and testified against the other suspect, a part-time drug dealer named Luke Goodrum. Van Meter follows events diligently, but his mechanical narrative proves more tawdry and depressing than revelatory. It’s difficult to find any redeeming qualities in either of the suspects, their families or, for that matter, the victim’s family. The grim landscape these characters inhabit is dominated by broken homes, casual sex, drug and alcohol abuse, teen pregnancy and domestic violence. Flat, inert prose fails to infuse the tale with local color or dimension—surprising, given that the first-time author is from Bowling Green. Readers are rushed through events police-blotter style, and the skimpy account of the March 2005 trial provides few definitive answers to what actually happened in Katie’s dorm room. The most memorable aspect of the courtroom proceedings are the icy glares heaped on Katie’s dutiful foster parents by her biological mother and her aunts, whose air of superiority is at odds with the fact that they allowed Katie and her younger sister to be removed to foster care in the first place. Thanks to his well-monied stepfather, Goodrum got a quality defense team. Given his previous history of violence toward women, whether he actually deserved it remains unclear.
Readable enough, but disappointingly short on dramatic appeal or sociological insight.Pub Date: Jan. 9, 2009
ISBN: 978-1-4165-3868-4
Page Count: 288
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2008
The Atlanta child murders comprise the starting point for this virtuoso polemic against racism in America. Baldwin writes bluntly: "Others may see American progress in economic, racial and social affairs—I do not." It is this distinctive Baldwinian voice of outrage that powers his penetrating examination of why color still divides America. Baldwin thinks that Wayne Williams, the black man accused of the murders of 28 black children over a 22-month period, was railroaded. No matter that his conviction was presided over by a black judge in a Southern city governed by a black mayor. Williams was prosecuted under intense pressure to close a case that might tarnish Atlanta's reputation as a "city too busy to hate." A black administration's presence, says Baldwin, did not change the fact that the legal system served the commercial interests of a booming Southern city. To consider this only as an issue of class, contends Baldwin, is a denial by blacks and whites alike of America's legacy of slavery. He writes that ". . .this country, in toto, from Atlanta to Boston, to Texas to California, is not so much a vicious racial caldron—many, if not most countries are that—as a paranoid color wheel." By sketching the emergence of the black middle class and its complicity in maintaining the "white" rules, and the white flight from the city to the suburbs—leaving a mostly black, impoverished city. Baldwin describes how the wheel goes round. And its consequence remains: How do you become "white" enough to get up and out of the ghetto? Ironically, it was the rage of the parents of the murdered children that set Atlanta's color wheel spinning. Once they provoked national attention, according to Baldwin, the pressure to solve the crimes began. Until then, no one was ". . .compelled to hear the needs of a captive population."Baldwin delivers his judgment in cranky, idiosyncratic exposition that links the state of race relations with the prosecution of Williams. He details the official maneuvering that brought Williams to trial and the extraordinary legal decision to charge him with the murders of two black men, but permit the accusations and evidence of all the children's murders to be discussed at his trial. Baldwin has penetrated a sensational crime with his considerable novelist's skill for seeing things the rest of us don't. In the process, he's delivered a stinging indictment of racial stagnation.
Pub Date: Oct. 28, 1985
ISBN: 1568495757
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1985
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An exemplary demonstration of the transformative possibilities of graphic narrative.
A powerful, unsettling use of the graphic medium to share a profoundly disturbing story.
If a boy is not born a monster, how does he become one? Though Backderf (Punk Rock and Trailer Parks, 2008) was once an Ohio classmate of the notorious Jeffrey Dahmer, he doesn’t try to elicit sympathy for “Jeff.” Yet he walks an emotional tightrope here, for he recognizes that someone—maybe the other kids who laughed at and with him, certainly the adults who should have recognized aberration well beyond tortured adolescence—should have done something. “To you Dahmer was a depraved fiend but to me he was a kid I sat next to in study hall and hung out with in the band room,” writes the author, whose dark narrative proceeds to show how Dahmer’s behavior degenerated from fascination with roadkill and torture of animals to repressed homosexuality and high-school alcoholism to mass murder. It also shows how he was shaken by his parents’ troubled marriage and tempestuous divorce, by his emotionally disturbed mother’s decision to move away and leave her son alone, and by the encouragement of the Jeffrey Dahmer Fan Club (with the author a charter member and ringleader) to turn the outcast into a freak show. The more that Dahmer drank to numb his life, the more oblivious adults seemed to be, letting him disappear between the cracks. “It’s my belief that Dahmer didn’t have to wind up a monster, that all those people didn’t have to die horribly, if only the adults in his life hadn’t been so inexplicably, unforgivably, incomprehensibly clueless and/or indifferent,” writes Backderf. “Once Dahmer kills, however—and I can’t stress this enough—my sympathy for him ends.”
An exemplary demonstration of the transformative possibilities of graphic narrative.Pub Date: March 1, 2012
ISBN: 978-1-4197-0216-7
Page Count: 224
Publisher: Abrams ComicArts
Review Posted Online: Dec. 17, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
