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EVER AFTER

A FATHER'S TRUE STORY

A piercing cry from the heart, a resounding call for reform — and that rare thing: a unique book. Wharton (Last Lovers, 1991, etc.) reports on events leading up to and away from the death of his daughter under horrific and, many will insist, unnecessary circumstances. On August 3, 1988, Kathleen Wharton Woodman was driving on Interstate 5 in Oregon with her husband, Bert, at the wheel and their daughters, Dayiel and Mia, strapped in their car seats. Suddenly the four were heading into billows of black smoke. Next minute they were dead, incinerated as the result of a highway pile-up. The smoke came from nearby fields where seed farmer Paul Thompkins was executing an annual activity, field burning. Wharton, immeasurably grieved and outraged, divides his account into three parts. The first, "Kate," is actually fiction, Wharton's idea of how his likeable, practical daughter might have told the story of her life. It's a simple life, full and uneventful in the way many lives are. In the second section, "Will," Wharton describes how he and his family handled their mourning, how they traveled to Oregon, where Will became convinced that field burning is not the only way to sanitize land. Mounting a campaign to fight the widespread practice, Wharton gathered what evidence he could, including pictures of the deceased that he had taken at the mortuary. "This first one is the one who burned the least, the little baby, Mia," the mortician says at the outset of the grisly, memorable scene. "Settlement," the book's third part, details how Wharton tried to force the kind of public trial that would expose the cruel arbitrariness of field burning. But authorities, including his own lawyers, pressed for a settlement to which he finally, frustratedly succumbed. Wharton's ordeal is not easy reading, but his persistence in assailing the woeful cause for it is highly admirable.

Pub Date: June 1, 1995

ISBN: 1-55704-223-3

Page Count: 272

Publisher: Newmarket Press

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 1995

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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