A loving evocation of a bygone age, in a story that most likely provided more joy to Morris than it will to readers.



A lush, lazy tale of growing up in Mississippi during the Korean War, by the late author (1934–1999) of My Cat Spit McGee (1999), etc.

As the story begins, 16-year-old Swayze Barksdale of Fisk's Landing is recruited by his mentor, WWII veteran Luke Cartwright, to play taps at the funerals of local boys killed in Korea. Each ceremony calls up a world of memory, and the dead men's stories are laced through a larger storyline concerning Swayze's friends, Arch and Georgia, and their adventures about town. Arch, Swayze's companion trumpeter for the funeral services, is a surly, James Dean sort of charmer with an independent streak and a way with his horn that outshines Swayze's modest bellowing. Georgia, a friend since childhood, grows to be a gentle beauty and introduces Swayze to the ways of love, sex, and jealousy. When one of the town notables, Durley Godbold, is reported missing in action and presumed dead, his wife Amanda goes into a life-transforming shock that moves Swayze toward the deeper recesses of grief, and as the funerals grow in number and the losses accumulate, the boy's understanding of the world broadens. His curiosity takes him to the embalming room at the funeral home, where he sees "what had been a face [now] collapsed, like sponge, with hideous liquid eyes." At the close, Durley returns from a POW camp; Amanda finds their marriage irrecoverable; Swayze and Georgia go their own ways; and Luke meets a tragic end. Like such previous Morris works as North Toward Home (1967), the novel contains many fondly elegiac passages and dozens of charming descriptions of small-town life, but it lacks a substantiating depth that might have truly conveyed Swayze's metamorphosis. Instead, it reads very much like the recapitulations of a mature adult amused to find there was a time when he didn't know so much.

A loving evocation of a bygone age, in a story that most likely provided more joy to Morris than it will to readers.

Pub Date: April 16, 2001

ISBN: 0-618-09859-3

Page Count: 320

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in...

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This incandescent portrait of suburbia and family, creativity, and consumerism burns bright.

It’s not for nothing that Ng (Everything I Never Told You, 2014) begins her second novel, about the events leading to the burning of the home of an outwardly perfect-seeming family in Shaker Heights, Ohio, circa 1997, with two epigraphs about the planned community itself—attesting to its ability to provide its residents with “protection forever against…unwelcome change” and “a rather happy life” in Utopia. But unwelcome change is precisely what disrupts the Richardson family’s rather happy life, when Mia, a charismatic, somewhat mysterious artist, and her smart, shy 15-year-old daughter, Pearl, move to town and become tenants in a rental house Mrs. Richardson inherited from her parents. Mia and Pearl live a markedly different life from the Richardsons, an affluent couple and their four high school–age children—making art instead of money (apart from what little they need to get by); rooted in each other rather than a particular place (packing up what fits in their battered VW and moving on when “the bug” hits); and assembling a hodgepodge home from creatively repurposed, scavenged castoffs and love rather than gathering around them the symbols of a successful life in the American suburbs (a big house, a large family, gleaming appliances, chic clothes, many cars). What really sets Mia and Pearl apart and sets in motion the events leading to the “little fires everywhere” that will consume the Richardsons’ secure, stable world, however, is the way they hew to their own rules. In a place like Shaker Heights, a town built on plans and rules, and for a family like the Richardsons, who have structured their lives according to them, disdain for conformity acts as an accelerant, setting fire to the dormant sparks within them. The ultimate effect is cataclysmic. As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege.

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in America.

Pub Date: Sept. 12, 2017

ISBN: 978-0-7352-2429-2

Page Count: 384

Publisher: Penguin Press

Review Posted Online: June 20, 2017

Kirkus Reviews Issue: July 1, 2017

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