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THE NIGHT ALWAYS COMES

A working-class drama finds the grit beneath Portland's gentrification.

Need propels a heroine's long night of the soul.

Vlautin’s fiction is full of working-class strugglers doing their best to survive a rapidly changing country. Most of them, including the protagonists of his propulsive new novel, have been priced out of comfortable living, or even stability. And so they turn to unsavory means to get by. This book plays out like a modern noir take on a Tennessee Williams play, its desperate characters harboring old resentments, its hard-luck heroine settling scores throughout a long, bloody night in her hometown of Portland, Oregon. Thirty-year-old Lynette wants to buy the run-down rental house she shares with her embittered mother and her developmentally challenged brother. But she needs cash, especially after her mom’s most recent starburst of irresponsibility. She’s owed money around town, and it’s time to collect—and then some. Vlautin’s supporting characters—meth-heads and pimps, waitresses and mechanics—occupy a rung of society that rarely gets its story told in any kind of convincing way. His language is always vivid. Here’s Lynette studying a tweaker: “Bursting red blisters ran from the back of his neck, around his left ear, and completely engulfed his left eye and forehead. He was young, in his twenties, but his teeth had gone bad and his eyes looked pushed into his head like an old man’s.” Such is the company that Lynette comes to keep in her quest for an instant nest egg. Her nocturnal journey is gripping, but much of the book’s power derives from more quotidian questions: Can I get a loan to make that down payment on the house? Can I balance that introduction to econ class with my two jobs? Will my car start? And what happened to my city? “I’m realizing that the whole city is starting to haunt me,” Lynette tells a friend. “And all the new places, all the big new buildings, just remind me that I’m nothing, that I’m nobody.” Vlautin has written a soulful thriller for the age of soulless gentrification.

A working-class drama finds the grit beneath Portland's gentrification.

Pub Date: April 6, 2021

ISBN: 978-0-06303-508-9

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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