by Wilmont R. Kreis ‧ RELEASE DATE: May 2, 2012
A detailed, frustrating attempt to encompass a complicated social issue.
An ambitious, flawed novel of medical fraud.
Nicole Allard lost her job in the financial sector and now works as a “medical shopper,” getting paid to visit doctor’s offices to collect data for insurance companies. Eventually, she gets a job trying to bust shady clinics bilking Medicare. Kreis, the author of eight previous novels about Detroit (The Chief, 2011, etc.), furnishes multiple subplots—an innocent doctor caught in a labyrinthine Medicare audit, a naive doctor from Africa, several struggling homeless people, criminals doing their best to outsmart the Feds, an obligatory love story or two, and more. The author understands the mechanics of the health care system, and reading about the complicated ins and outs of million dollar swindles satisfies, as does the Detroit setting. Yet, while the subplots are interesting, the novel devotes so much ink to exploring every angle of health care fraud—and those conducting, fighting against, or caught up in it—that character development and suspense suffer. When criminals kidnap Allard, the results are bizarre and devoid of terror. Allard bounces back from her assault and kidnapping with lightning speed and goes on another mission a few days later. Then she gets kidnapped again. And again. Even when the character is contemplating whether her captor might rape her, her thoughts remain two-dimensional and inauthentic: “Maybe he will let you screw your way to freedom. Yuck.” There’s an odd running wrinkle in the novel. Allard’s naked body is repeatedly ogled, groped and harassed by male “doctors.” Her response to the harassment at one point is laughable: “You know, last year Rodney and I went to St. Martin. We went to the nude beach every day, and I enjoyed it. I mean, I’m not a prude.” The problem is not whether or not this harassment happens or if this fraud is actually taking place, the problem is in the bland presentation of such rich material.
A detailed, frustrating attempt to encompass a complicated social issue.Pub Date: May 2, 2012
ISBN: 978-1475052183
Page Count: 330
Publisher: CreateSpace
Review Posted Online: July 30, 2012
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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189
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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