edited by Winifred Forrester ‧ RELEASE DATE: Sept. 22, 2020
A captivating examination of a creative mind in constant motion.
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A daughter preserves her father’s artistic contributions in this coffee-table book that intersperses sculptures, drawings, and paintings with essays.
In 1960, Charles H. Forrester asserted that the duty of an artist was “to seek meaning in chaos.” Born in 1928 near New York City, he learned to understand disorder growing up in the shadow of the Depression and World War II. He married the politically engaged Dorothy Reese and moved to Seattle. There, he changed his focus from engineering to fine arts and began his influential career, working in a wide variety of materials, from plywood and welded wire to bronze. The brief biographical essay that forms the warm heart of this volume was written by the artist’s son, John, and daughter, Winifred, the book’s editor. They are perhaps best positioned to describe how Forrester’s art emerged from and was expressed by his life. (He died in 2010.) The other writings in these pages explore specific aspects of Forrester’s oeuvre. The keynote essay by Guy Jordan, an associate professor of art history, describes Forrester’s abstract works as “art forms which do not speak in words.” Jordan points out the humor evident in such pieces as Running Abreast, a sculpture that combines the muscular leg of a runner with a woman’s pendulous breast. Most of the volume is comprised of reproductions of Forrester’s wide body of work, with elucidating commentary by Joe Nolan, a musician, writer, and artist. Nolan points out the “voluptuous forms and stylized lines” that are present even in Forrester’s representational pieces, such as his expressive portrait busts. Works like The Voyage, an abstract sculpture of two linked figures that evokes the uncertainty of travel, and The Equestrian, a concrete monolith commissioned for the Oregon centennial, are commanding on the page, inspiring a desire to experience them in person. Overall, this illuminating book provides a substantial and comprehensive overview of Forrester’s philosophy and the place of his works in the pantheon of modern art.
A captivating examination of a creative mind in constant motion.Pub Date: Sept. 22, 2020
ISBN: 978-0-578-67826-9
Page Count: 138
Publisher: Folly Industries
Review Posted Online: Dec. 7, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Sloane Crosley ‧ RELEASE DATE: Feb. 27, 2024
A marvelously tender memoir on suicide and loss.
An essayist and novelist turns her attention to the heartache of a friend’s suicide.
Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.
A marvelously tender memoir on suicide and loss.Pub Date: Feb. 27, 2024
ISBN: 9780374609849
Page Count: 208
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Sept. 19, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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