by Winsome Bingham ; illustrated by Molly Mendoza ‧ RELEASE DATE: Oct. 1, 2024
A soul-stirring opportunity for joyful reflection while preparing for one of life’s hardest yet most ever-present realities.
A loving matriarch shows her family how to appreciate the good times as she navigates the end of a life well lived.
Bingham tells another heartfelt, intergenerational story centered on a Black family. Granny Dee “lives in the heart of Harlem” but crosses town—“on three trains and one bus”—to spend weekends with her beloved granddaughter. Whether taking day trips throughout the city or painting each other’s nails, the two delight in every moment together. That is until one weekend when Granny Dee doesn’t arrive. “She’s getting too old for the trains and buses,” Momma says. Daughter and granddaughter visit Granny Dee at her home, where it becomes obvious that she’s readying herself for a transition from this world, informed by her Christian faith. “Earth is a rented space,” she tells her granddaughter. “Heaven is home.” Depictions of the family’s loving memories echo Granny Dee’s words of wisdom. Her maxim—“Everybody should enjoy life. Life is beautiful”—is a final, bittersweet remembrance as the old woman takes her final breaths; readers are left with a reminder that holding on to happy moments with loved ones can help them sit with grief. Mendoza’s carefully composed images of urban scenes, subway rides, and loving moments have a pleasing retro vibe; she infuses her art with animated shapes and lines that pulse with energy—a perfect encapsulation of Granny Dee’s sage words.
A soul-stirring opportunity for joyful reflection while preparing for one of life’s hardest yet most ever-present realities. (Picture book. 4-8)Pub Date: Oct. 1, 2024
ISBN: 9781534469952
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Dan Yaccarino
by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
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