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NONREQUIRED READING

PROSE PIECES

Glorious distillations of a capacious mind and heart.

Nobel laureate Szymborska (Miracle Fair, 2001, etc.) reprints nearly a hundred pithy pieces about books from her many years as a newspaper columnist in Poland.

But don’t call them reviews. “I am and wish to remain a reader, an amateur, and a fan,” the poet writes. “Anyone insisting on ‘reviews’ will incur my displeasure.” Fair enough. In these brief nonreviews, Szymborska uses her eclectic reading habits to comment on everything from witchcraft trials to wall calendars. She does not, indeed, say much about the quality of the books at hand, nor does she often regurgitate or recommend. What she does do is allow her reading to jump-start her philosopher’s mind, her humorist’s imagination, and her poet’s pen. Irony abounds. In a piece about scientists, she quips, “From time to time people do appear who have a particularly strong resistance to obvious facts.” Along the way she takes on Carl Jung (didn’t he realize that people were telling him stories, not dreams?), beauty-obsessed women, deer hunters, biographers, autobiographers, poets overly interested in prosody, extraterrestrials, wax museums, Disney, tyrants’ abuses of history, anti-smokers (she’s a proud puffer), nudity, and home repair. Here are piquant disquisitions on the mysteries of talent (Hitchcock is her exemplar), on the poetry of Czelaw Milosz (which she greatly appreciates), on the absurdities of pseudo-science. She admires Thomas Mann and Samuel Pepys but mistrusts Dale Carnegie, wonders about the daily lives of Neanderthals, expatiates on the beauties of Polish birds and Andersen’s fairy tales, speculates about the meaning of life and death to a paramecium, worries about violence and about the psychological demands we make of our dogs. She recognizes that home-improvement books are wasted on the practically challenged, constructs a hilarious verbal family tree of Cleopatra, and observes that the three pictographs forming the word “peace” in Chinese are “already a microscopic poem.”

Glorious distillations of a capacious mind and heart.

Pub Date: Oct. 1, 2002

ISBN: 0-15-100660-1

Page Count: 256

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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