Carlitos and his father go to the arena in Mexico City to watch a bout of “lucha libre” (professional wrestling) with Carlitos's Uncle Vicente. Although this tale is set a half century ago, the wrestlers are divided, just like now, into bad guys (los rudos) and good guys (los técnicos), and the audience loves booing los rudos and cheering for los técnicos. Young readers will shiver along with Carlitos at the frightening costumes and manners of the bad guys—El Cucuy (the Boogeyman), the Evil Caveman and the Vampire—and thrill to the heroes—the Mighty Bull, the Masked Rooster and Carlitos’s favorite, the Man in the Silver Mask. While Carlitos (and younger readers) may not figure out why Vicente misses the bout, older readers will realize who the Man in the Silver Mask really is. Garza's illustrations are oversized, wildly colored and presented in bold outlines, recalling both Mexican folk art and the rowdy spirit of the stylized sport. They are sure to draw in every wrestling fan under the age of 10. His afterword gives a brief history of Mexican wrestling and especially El Santo—The Saint—its most popular hero and the original man in the silver mask. (Picture book. 6-9)
Pub Date: July 1, 2005
ISBN: 0-938317-92X
Page Count: 40
Publisher: Cinco Puntos Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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