A beautiful volume that tells a classic American story.
A verse narrative follows the fortunes of a Jewish family through five generations after it immigrates to the United States.
In 1892, a Russian Jewish couple suffer a horrifying loss when their baby is murdered by Cossacks in a pogrom. They send their two remaining children, Basya and Laili, to the United States, because “in America everyone has a chance.” With their names changed to Bess and Lily at Ellis Island, the girls toil in a Lower East Side sweatshop. Lily dreams of making beautiful clothes for rich women and moving to warm, sunny Southern California but realizes “Not for Lily’s family, no. / But a grandchild, maybe, one day would go.” Her daughters, Molly and Anna, join her at the Triangle Shirtwaist Company, where the girls survive the factory’s notorious fire, but their mother dies. Through two world wars and the Great Depression, Molly and her husband, Max, work hard and better their circumstances. Their daughter Lily and her husband prosper, sending their daughter Maxine to college. Not very religiously observant up till then, Maxine is drawn to the Chabad movement and Orthodox Judaism. She marries young and has five children while getting her Ph.D. in costume history, and she fulfills her grandmother’s dream by moving to Los Angeles County’s San Fernando Valley. Maxine’s daughter Lily continues the family interest in fashion and style by starting her own clothing line (“Lily of the Valley”) after marrying and having children. Michaels (Mindel and the Misfit Dragons, 2014) offers a gorgeously designed and illustrated book, though its appearance may outweigh its entirely familiar story (Ellis Island, sweatshops, world wars, reclamation of one’s heritage). Still, it’s told with verve and a pleasing sense of things coming out right. Michaels employs an English sestet form that works well; it’s short enough to keep things moving, while the ABABCC structure lends an air of finality to each stanza. The rhyme and the sometimes-singsong rhythm might make this seem a children’s book, but the content isn’t always kid-friendly: “[The Cossacks] stomped on the baby and slashed Mama’s side.”
A beautiful volume that tells a classic American story.Pub Date: March 1, 2016
ISBN: 978-1-941067-01-7
Page Count: 65
Publisher: Alcabal Press
Review Posted Online: Feb. 24, 2016
Kirkus Reviews Issue: April 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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