by Ximo Abadia ; illustrated by Ximo Abadia ‧ RELEASE DATE: April 15, 2019
Profound—both visually and philosophically.
A boy, huge and completely bright red, narrates his quest to discover how and where to belong in this German import by a Spanish creator.
“I wanted to be like everyone else… / …even though I was much bigger.” He tries to exploit his difference through boxing, but no one dares to oppose him. Figuring that geography might be the fix, Goliath begins a journey of discovery. Querying the ocean, then the sun, he’s met with both splendor and silence. It’s the Earth-tethered moon who provides an answer, offering beautifully observed, existential wisdom: “Goliath, look at me. I am smaller than the sun, and I am bigger than the ocean, but it does not matter, because there is no one else like me. So, why does it matter to you if you are big or small?” As this big truth penetrates, Abadía centers Goliath as a tiny figure on an ink-black page. “Whoever was looking at me… / …would never see me in the same way.” Abadía’s pictures embody a dynamic interplay of color, form, and perspective. Gestural lines, hard- and brushy-edged shapes, and a palette of red, yellow, green, black, and blue carry the bold design statement, complemented by a tall, thin trim size and wryly chosen font (Super Grotesk). Early and later spreads and endpapers convey that Goliath’s epiphany coincides with his integration into a newly vibrant community of children.
Profound—both visually and philosophically. (Picture book. 5-9)Pub Date: April 15, 2019
ISBN: 978-3-89955-826-5
Page Count: 40
Publisher: Little Gestalten
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
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by Ximo Abadia ; illustrated by Ximo Abadia
by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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by Dev Petty ; illustrated by Mike Boldt
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by Dev Petty ; illustrated by Mike Boldt
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by Dev Petty ; illustrated by Ana Aranda
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