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WU LOU

Poignant and thoughtful, if not exactly riveting.

In Lu’s novel, a Buddhist monk flees Cambodia during the Khmer Rouge reign of terror in the 1970s and reappears in California decades later.

The story opens with the depiction of a gruesome death: Wu Huaiyu, a young Khmer Rouge officer, lies on the plaza of a small temple, his face flattened by the large fallen Buddha statue that he had been attempting to destroy. Watching the scene in horror are Tutu, a teenage girl who had recently become engaged to Wu Huaiyu, and Wu Lou, the temple’s last remaining monk. As a young boy, Wu Lou was rescued from a pond by an aging monk who saw potential in the lad and adopted him. One day, Wu Lou and his Master spotted a starving, orphaned child, Tutu, and took her under their protection. Tutu and Wu Lou were then raised as brother and sister, developing a deep bond. Now Tutu tells her brother that he must run and find his way to America to escape being killed by the military, promising, “I’ll find a way to go to the United States to find you.” The story jumps forward 50 years, to Los Angeles, where readers meet the novel’s narrator, Terry. He and his wife are immigrants from China, living in a house they bought through a Cambodian realtor—Tutu. Also living in Los Angeles, unbeknownst to Tutu, is Wu Lou. Lu’s narrative is more focused on the effect of Wu Lou’s life upon others (especially Tutu and Terry) than on his own experiences before reaching California (readers learn only about his time in Cambodia and his dedication to achieving a pure life). In easy-flowing, conversational prose, weaving a narrative that shifts back and forth in time, Lu intertwines the tales of Tutu and Terry with Terry’s musings on Buddhist philosophy and mysticism, including the belief in reincarnation. The novel also delves into the disturbing East Asian history during the 1960s and 1970s, vividly portraying the cruelty and violence inflicted by the Khmer Rouge.

Poignant and thoughtful, if not exactly riveting.

Pub Date: Sept. 30, 2024

ISBN: 9781960172082

Page Count: 268

Publisher: Pine Bush Publishing, Inc.

Review Posted Online: Aug. 25, 2024

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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