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TRANSCENDENT KINGDOM

In a quietly poignant story, a lonely woman finds a way to be less alone.

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A scientist weighs the big questions that her private trauma bequeaths her.

After Homegoing (2016) swept through seven generations, Gyasi’s wise second novel pivots toward intimacy. It unspools entirely in the voice of watchful, reticent, brilliant Gifty, 28, nearly finished with her doctorate in neuroscience at Stanford’s School of Medicine. Her formidable mother, a home health care aide, has plummeted into a second severe depression, and their family pastor has dispatched the limp woman toward Gifty via airplane from Huntsville, Alabama, “folding her up the way you would a jumpsuit.” The first episode, when Gifty was 11, arrived after an opiate overdose stole the life of 16-year-old Nana, the firstborn son and more cherished child. Both times the Ghanaian matriarch has crawled mutely into bed, but this time not before asking adult Gifty if she still prays. “No,” says Gifty, who turns her ontological questions on lab mice. She gets them addicted to Ensure and then opens their brains surgically, probing the neural pathways of recklessness, looking for clues to creating restraint. Gifty hopes to apply her results to “the species Homo Sapiens, the most complex animal, the only animal who believed he had transcended his Kingdom, as one of my high school biology teachers used to say.” This work, Gifty insists, has zero to do with her brother’s death. In 54 microchapters and precise prose, Gyasi creates an ache of recognition, especially for readers knowledgeable about the wreckage of addiction. Still, she leavens this nonlinear novel with sly humor, much more than in Homegoing, as the daughter of a traditional woman weighs what it means to walk in the world not quite a nonbeliever. The author is astute about childhood grandiosity and a pious girl’s deep desire to be good; she conveys in brief strokes the notched, nodding hook of heroin’s oblivion. In its wake, adult Gifty sits with the limits of both bench science and evangelical Christianity. Nowhere does Gyasi take a cheap shot. Instead, she writes a final chapter that gives readers a taste of hard-won deliverance.

In a quietly poignant story, a lonely woman finds a way to be less alone.

Pub Date: Sept. 1, 2020

ISBN: 978-0-525-65818-4

Page Count: 288

Publisher: Knopf

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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ALL FOURS

This tender, strange treatise on getting out from the “prefab structures” of a conventional life is quintessentially July.

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A woman set to embark on a cross-country road trip instead drives to a nearby motel and becomes obsessed with a local man.

According to Harris, the husband of the narrator of July’s novel, everyone in life is either a Parker or a Driver. “Drivers,” Harris says, “are able to maintain awareness and engagement even when life is boring.” The narrator knows she’s a Parker, someone who needs “a discrete task that seems impossible, something…for which they might receive applause.” For the narrator, a “semi-famous” bisexual woman in her mid-40s living in Los Angeles, this task is her art; it’s only by haphazard chance that she’s fallen into a traditional straight marriage and motherhood. When the narrator needs to be in New York for work, she decides on a solo road trip as a way of forcing herself to be more of a metaphorical Driver. She makes it all of 30 minutes when, for reasons she doesn’t quite understand, she pulls over in Monrovia. After encountering a man who wipes her windows at a gas station and then chats with her at the local diner, she checks in to a motel, where she begins an all-consuming intimacy with him. For the first time in her life, she feels truly present. But she can only pretend to travel so long before she must go home and figure out how to live the rest of a life that she—that any woman in midlife—has no map for. July’s novel is a characteristically witty, startlingly intimate take on Dante’s “In the middle of life’s journey, I found myself in a dark wood”—if the dark wood were the WebMD site for menopause and a cheap room at the Excelsior Motel.

This tender, strange treatise on getting out from the “prefab structures” of a conventional life is quintessentially July.

Pub Date: May 14, 2024

ISBN: 9780593190265

Page Count: 336

Publisher: Riverhead

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE KITE RUNNER

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...

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Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.

Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.

Pub Date: June 2, 2003

ISBN: 1-57322-245-3

Page Count: 368

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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