The mayhem of young family life seen through a positive, whimsical lens.
A celebration of the sometimes-exasperating, but always entertaining, shenanigans of irrepressibly energetic young children.
As Levy explains in a brief introduction, mazik “is a Yiddish word for a devilish imp or a rambunctious mischief-maker.” The story follows the daily antics of two sibling maziks—cued as female and male—with White human parents. At breakfast time, the maziks—portrayed as happy little monsters with small fangs and pink and green skin—make a huge mess; ditto during crafts time in the living room. On some days, they attend school, where they hide under or jump on the furniture. On other days, they enjoy a rowdy, splashy romp at the pool or have a wild frolic with a multiracial group of neighborhood human kids. At dinnertime, they spill their juice and slip the cat challah bread before having a bedtime pillow fight. The rhyming text is filled with rhetorical questions (“Do they rumble? / Do they fight? / Do they snarl with all their might?” etc.) as the narrator repeatedly wonders, “What do maziks do each day?” The colorful, busy artwork subtly indicates that this Jewish family observes Shabbat and ends each day with a Sh’ma prayer and that the maziks attend a Judaic school. Non-Jewish readers may miss these details, but the book’s depiction of the hectic, demanding life of an active young family will be familiar to all little hellions and their exhausted parents. (This book was reviewed digitally.)
The mayhem of young family life seen through a positive, whimsical lens. (Picture book. 3-5)Pub Date: April 1, 2022
ISBN: 978-1-72842-427-9
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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