A lot of fun, and very smart about family, aging, and being Jewish.
A feisty French Jewish family takes a road trip to Auschwitz.
After the success of Jesse Eisenberg’s film A Real Pain, American readers seem ready to embrace a comic novel featuring a visit to a concentration camp. Reza, a French writer best known here for the plays God of Carnage and Art, brings her skill at high-energy dialogue to this story of three aging siblings, Jean, Serge, and Nana Popper, narrated by Jean. We meet him at the community pool where he’s taken his ex-girlfriend Marion’s 9-year-old son, Luc, to teach him to swim. “I’ve never been entirely sure who I am to him,” he comments, and the reader will need to pay close attention or find themselves in a similar boat with the throng of named characters who arrive in the pages that follow. For example, in describing the Sunday lunches held at their mother’s house before her recent death, Jean introduces a slew of family members: “Joséphine, Serge’s daughter, came to the doorstep every other week already exasperated. Victor, Nana and Ramos’s son, was training at the École Émile Poillot, the ‘Harvard of gastronomy,’ according to Ramos, who pronounces it ‘Harward.’” All these people are important, as are the culinary credentials of the mostly off-stage Victor, whose career options become a bone of contention among the extremely argumentative older generation. It is Joséphine who spearheads the family trip to Auschwitz; her father’s first reaction is indicative of the tone of the entire adventure: “You know, I paid through the nose for a course in eyebrows, and look where that’s gotten her, now she wants to go to Auschwitz, what’s wrong with this girl?” Like her cousin Victor’s, Joséphine’s employment goals are a hot topic in the family, but this family can argue about anything, and will, from the Judenrampe to the gas chamber to the Kraków Radisson and back. Final scenes in a hospital waiting room add poignancy to the mix.
A lot of fun, and very smart about family, aging, and being Jewish.Pub Date: Aug. 26, 2025
ISBN: 9781632064011
Page Count: 160
Publisher: Restless Books
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
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