illustrated by Yoko Tanaka & developed by Mouse King Media ‧ RELEASE DATE: Nov. 16, 2011
It would be nice to have more control over the pace of the story, but the overall presentation is so spectacular it’s worth...
A stunning iPad adaptation showcases the story behind the popular ballet.
Over the last century, scores of books have attempted to capture The Nutcracker’s magic, but any one of them would be hard pressed to outshine this version. Without question the app’s most breathtaking component is the lavish artwork hand-painted by fine-art painter/illustrator Tanaka. Her exquisite use of color and light coupled with her distinctive interpretations of the characters provides a luxuriant feast for the eyes. Text is effectively scant, and there is no narration. Each screen is accompanied (occasionally at inconsistent audio levels) by Tchaikovsky’s beloved compositions, as performed by the developer’s “virtual” orchestra. In storybook mode, the features run their course at their own pace (which is frequently painstakingly slow), and readers have no choice but to wait it out. In movie mode, the pages turn automatically; both options offer a pause button. Interactive features are minimal and involve eliciting various brief sound effects, but there’s plenty of brilliant animation—though at times movement resembles languid animatronics in a mall display. On the iPad 2, the app can be streamed to HDTV for a “concert hall” experience.
It would be nice to have more control over the pace of the story, but the overall presentation is so spectacular it’s worth lingering over. (iPad storybook app. 3-10)Pub Date: Nov. 16, 2011
ISBN: N/A
Page Count: -
Publisher: Mouse King Media
Review Posted Online: Dec. 15, 2011
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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