Proof that thoughtful novels of ideas can be fun as well as provocative.
Tawada’s band of multinational, multiethnic, and multitalented pilgrims continues (and perhaps concludes) its journey to discover what happened to the homeland of one of its number in the third volume of a whimsical trilogy, following Scattered All Over the Earth (2022) and Suggested in the Stars (2024).
Still in search of Hiruko’s ostensibly obliterated homeland of Japan, the travelers start their journey on a surreal decommissioned mailboat in the Baltic Sea. Intriguingly, several of their fellow shipmates could be the ghosts of literary figures. Traveling from port to port, the group comes face to face with shifting borders and national identities, many of which have changed over time due to military and political developments. Observations about the impermanent nature of the concept of “country,” made of paper and promises, versus the permanence of “towns,” which endure beyond the shifting of borders, lead to a discussion of what happens when a house is destroyed. Tawada’s frequently explored themes of identity and belonging, transitions, and the barriers and bridges built by language are on display here, along with commentary on current immigration issues. This ultimately leads Hiruko—who may never determine what has become of her birth county—to a very personal, and literal, solution to where her “house” will be. As Hiruko, and the others she refers to as a “private UN,” come to the realization that the route they are on is unlikely to get her any closer to her homeland, decisions must be made about who is going ahead and with whom. The tale’s ending leaves room for conjecture about the question of destination, but not the bonds created within the group of wanderers. Tawada’s usual spirit of cheerful speculation creates a believable, but impossible, set of circumstances for her appealing characters to muse upon, argue over, and learn from.
Proof that thoughtful novels of ideas can be fun as well as provocative.Pub Date: Sept. 2, 2025
ISBN: 9780811239790
Page Count: 256
Publisher: New Directions
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Let’s hope for more from the next book set in this world.
Sasha Cadell has survived against all odds, holding onto her loved ones and strangers as they take their last breaths—and that’s why she’s known as Death’s Angel.
For six years Sasha has lived in Haven, the underground society built to withstand nuclear war. Since the war, since her family’s deaths, since discovering she doesn’t get sick like everyone else does, Sasha’s life has been full of death and overfull with grief. While working in the Ward, Haven’s limited hospital, she stays with patients as they die. When Tristian Hayes, a unit commander of the Force, ends up as her patient, hanging on for his life, she pleads for him to stay alive. He does—upending her bleak ritual as Death’s Angel. Hoping to forget everything she’s seen and to numb the pain, Sasha leaves the Ward in favor of a role with a pickax, expanding Haven’s tunnels. Tristian, fiercely determined and stunningly stubborn, recruits Sasha to the Force for a vital mission aboveground. The story picks up steam with Sasha’s intense training to become the medic for Tristian’s tightknit unit. Together, they bear the weight of their unit’s survival and all that’s left of humankind. While in training, Sasha struggles to discern friends and enemies, but nothing is as challenging as facing her own demons. In this prequel to her debut novel, Conform (2025), Sullivan tries to accomplish a lot with both the worldbuilding and plot machinations, resulting in a convoluted story and flattened characters. The plot doesn’t have a satisfying payoff, but the romantic tension between Sasha and Tristian will keep readers engaged.
Let’s hope for more from the next book set in this world.Pub Date: March 24, 2026
ISBN: 9798217091027
Page Count: 464
Publisher: Ballantine
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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