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THE REAL MRS. MINIVER

An accomplished biography of a minor writer made famous by her times.

A granddaughter brings alive the woman who created Mrs. Miniver, the perfect wife and mother who affirmed British values on the eve of WWII.

Making adroit use of quotes from the author’s letters, autobiography, and other writings, Graham creates a sensitive and full-rounded portrait of a woman whose temperament and interests were often at odds with her milieu. Born in 1901 to parents who later divorced, Joyce Anstruther went to school with the future Queen Mother and was raised like other proper little girls. But her mother, who also wrote, encouraged Joyce in early authorial efforts, published under the pseudonym Jan Struther. In 1923, she married Tony Maxtone Graham, the son of a Scottish laird. They were initially happy and had three children but drifted apart as Tony took up golf while Joyce contributed poems and articles to Punch and other publications. In 1936, she found a new outlet, writing twice a month in the London Times about a fictional middle-aged upper-class wife and mother. Mrs. Miniver, unlike her creator, was happily married, but the columns avoided complacency thanks to sharp insights and vivid metaphors (a rickety old car was “at best a reluctant and treacherous ally, and of late . . . more or less openly, our enemy”), and it struck a chord with English readers. Working with refugees after war broke out, Joyce fell in love with an intellectual young Austrian Jew, Dolf Placzek, and followed him to New York when he got a visa in 1940, ostensibly at the behest of her American publisher. Graham then relates how the collected volume of Mrs. Miniver columns became a bestseller and later a movie, rallying support for war-torn Britain. Jan (as she had called herself ever since she arrived in America) enjoyed the fame, but after her divorce and marriage to Dolf, she became severely depressed and unable to write. She died in 1953.

An accomplished biography of a minor writer made famous by her times.

Pub Date: Nov. 1, 2002

ISBN: 0-312-30826-4

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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