A remarkably beautiful story of the agony of loss and injustice.
Yun-Yun’s novel, based on true events, tells the story of a boat accident, as seen through the eyes of one victim’s sibling.
On April 16, 2014, the ferry MV Sewol capsized off the coast of South Korea, resulting in the deaths of more than 300 passengers, including 250 students and 11 teachers on a high school field trip. False reports that the passengers and crew had been rescued, and the lateness of the South Korean coast guard’s rescue efforts, led to a national outcry. This real-life tragedy is the backdrop for this novel, in which 24-year-old Park Yun-young reels from the loss of her 29-year-old sister, Mi-na, whom she calls Unnie (“older sister” in Korean), a teacher who died aboard the Sewol. The story begins with Yun-young retracing the steps that Unnie took in life—revisiting the school she attended, her dormitory, and the cubicle where she tirelessly studied to pass the national exam required to become an educator. At each stop, Yun-young crosses paths with people who knew her sister or who also had a loved one on the Sewol. Shifting back and forth between the present day and memories of Unnie, the narration has a dreamlike quality that heightens its sense of bittersweet nostalgia. Along the way, the author slowly reveals the timeline of events immediately prior to, during, and after the disaster. In one notable scene, months after the ferry’s sinking, Unnie’s suitcase is recovered from the muddy waters, and Yun-young and her family gather in their living room to open it and sift through its contents. Lifting the silt-soaked clothes out, piece by piece, Yun-young’s mother runs to fill a basin with water and stomps the mud out of Mi-na’s possessions, as if to rinse the horror from her daughter’s memory: “Yun-young can hear Mom’s muffled screams as she yells for the dirt to get off, to get off Unnie. The water sloshes for a long time.” The poetic force of the prose enhances the interplay between the past and present, blending them into a familiar, nonlinear pattern of grief.
A remarkably beautiful story of the agony of loss and injustice.Pub Date: April 11, 2024
ISBN: 9791198565105
Page Count: 212
Publisher: Libre Books
Review Posted Online: Feb. 19, 2024
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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