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LITTLE REBELS

Gently radical.

A band of young naturalists leap forward for change in Morales’ eco-conscious appeal.

“How shall we begin?” The inquiry comes from three diminutive “rebeldes” (Spanish for rebels)—one with basalt-colored skin, one with rich brown skin, and another with vitiligo of the skin. Morales pulls various streaks of inspiration—an Olmec head, a blue land crab—together to weave earth-toned artwork that amazes. So what does it mean to be a little rebel? Apart from appearing in “all colors and forms,” little rebels “take the time we need to find each other,” ask questions, use words to “shape the world we want to live in,” and dream big. The three youngsters merrily travel across the land, joined by a dog, butterflies, and a small bird, before one suggests playing with agüita (water). Arriving at the lagoon, the rebels instead find a dried-up bed of cracked soil, much to their dismay. And then, “KEEEK.” Their little feathered friend falls through a crack. Calling on their older brethren—las abuelas rebeldes—for guidance, the little rebels rise to save the day. Sprinkling a few Spanish words among the predominantly English text, Morales wistfully invites readers to consider their relationship with nature, encouraging self-reflection and creativity in equal measure. Though overstuffed with narration, speech bubbles, and occasional comics-style phrases, this rallying cry nonetheless beckons all dreamers. Publishes simultaneously in Spanish.

Gently radical. (guidance on being a “little rebel”) (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780823447541

Page Count: 32

Publisher: Neal Porter/Holiday House

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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