by Yuyi Morales ; illustrated by Yuyi Morales ; photographed by Tim O'Meara ‧ RELEASE DATE: Sept. 23, 2014
Out of context, visually radiant; as an introduction to Kahlo herself, almost irrelevant
This luminescent homage to Frida Kahlo doesn’t hew to her artwork’s mood but entrances on its own merit.
Adults will recognize Kahlo’s signature eyebrows, but readers of all ages will be caught immediately by the bewitchingly bright colors and detailed photographs. Morales makes her figures from steel, polymer clay and wool, and the illustrations come together with acrylic paint, digital manipulation and O’Meara’s dramatically angled photographs of the scenes. Kahlo has the thin, posable arms and stiff legs of a fashion doll, with earrings, a necklace and flowered dresses. Her vibe is contented curiosity as she and her monkey explore a box and find a skeleton marionette. A second thread shows Kahlo as two-dimensional (possibly doll-Kahlo’s dream?), rescuing a wounded deer; doll-Kahlo then includes the deer in a self-portrait. Vivid textures and high-saturation colors enthrall. However, the text (in English and Spanish) is platitudinous and vague: “I realize… / that… / I feel / And I understand… / that I love / And create / And so… / I live!” It would be impossible (and undesirable) to translate the violence, pain and anger of Kahlo’s work for an audience this young; these illustrations, while including some of her visual motifs, don’t even try. The final spread is downright festive. Morales’ author’s note (also in English and Spanish) provides a brief biographical sketch that makes clear the artist’s profound effect on her.
Pub Date: Sept. 23, 2014
ISBN: 978-1-59643-603-9
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Brad Meltzer ; illustrated by Christopher Eliopoulos ‧ RELEASE DATE: Sept. 16, 2014
Another pointless entry in a series intended to inspire more than inform.
The brilliant 20th-century scientist exhorts readers to keep asking questions.
Meltzer presents Einstein from birth through childhood and adulthood as one who always thought carefully before speaking and loved his head of hair. Apparently, one of the white-haired, mustachioed tot’s first sentences was: “My hair is so AWESOME!” As a young boy, he decides to figure out “Why did the universe behave the way it did?” From there, it is a fast trip to playing the violin, studying math and the famous equation E=mc2, which is not well-explained in the text. Of far greater importance is the exhortation that readers should value curiosity, difference and learning—all of which could lead to inspiration. There is no backmatter and no sourcing for a concluding quotation, but two pages of photographs are credited. The author provides no additional biographical information about Einstein’s incredibly multifaceted life. Eliopoulos’ digitally rendered cartoon illustrations are caricature more than representation. As in previous titles in the series, Einstein has a large, round head; his is adorned with the scientist’s signature mop of white hair and full mustache from birth. It is an oxymoron to include his life in a series about “ordinary people.”
Another pointless entry in a series intended to inspire more than inform. (Picture book. 3-6)Pub Date: Sept. 16, 2014
ISBN: 978-0-8037-4084-6
Page Count: 40
Publisher: Dial Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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by Brad Meltzer ; illustrated by Christopher Eliopoulos
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by Robert Rubenstein & illustrated by Woody Miller ‧ RELEASE DATE: Sept. 1, 2010
Zishe, a poor Polish Jew and a blacksmith’s son, displayed unusual strength from the time he was three years old. Able to lift heavy weights, bend steel bars and break metal chains, Zishe was soon recruited by a variety of circuses to perform throughout Europe and later the United States as the Strongman. A highlight of his career occurred in 1923 in New York City, when he was challenged as the Iron King to haul ten men in a wagon down Fifth Avenue by a single leather strap held in his teeth. Zishe, a true figure of circus history, born Siegmund Breitbart in Lodz, Poland, in 1883, had a gentle, caring side as well. He sought out the Jewish community in each town he performed in and played his cello for the hospitalized. Soft, earth-toned crayon drawings of a Samson-like figure energize this real-life superman story told, appropriately, with a bit of a big-top flair and a healthy sense of ethnic pride. (author’s note) (Picture book/biography. 4-6)
Pub Date: Sept. 1, 2010
ISBN: 978-0-7613-3958-8
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: Aug. 2, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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