Though it’s well-stocked with context-building features, the tale’s flippant dialogue and inconsistent visual details sound...
This spare, graphic retelling of the myth features illustrations that underscore its pervasive sadness.
Not that the story’s tragic events sit heavily on this rendition. In Pommaux’s neoclassical-style drawings, slender, pale Orpheus looks so fetchingly ethereal it’s no wonder that when he plays for the ladies, one sighs: “He’s so dreamy.” Arbitrarily right-handed in some scenes and left-handed in others, he produces music—represented by odd airborne flurries of dots and hinky abstract symbols—from a lyre with a turtle-shell soundbox that likewise switches sides on occasion. When Eurydice, fending off a grabby wedding guest, is fatally bitten by a snake, Orpheus cuts a wrenchingly lonely figure as he makes his way to Hades’ eerie otherworldly realm in an almost successful effort to bring his love back to life. Later, after he is dismembered by incensed female groupies (“Get over her already”), his still-singing head and other parts (unillustrated, unfortunately) are gathered for burial by the Muses. In an apparent effort to keep it from competing with the art for attention, the text is printed in widely spaced blocks of microscopic type, with obtrusive asterisks that accompany the first iterations of every proper name throughout. Both a final spread of “character cards” and the index include explanatory annotations about the tale’s mortals, immortals, and locales.
Though it’s well-stocked with context-building features, the tale’s flippant dialogue and inconsistent visual details sound discordant notes. . (map, bibliography) (Graphic mythology. 10-13)Pub Date: June 2, 2015
ISBN: 978-1-935179-84-9
Page Count: 56
Publisher: TOON Books & Graphics
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
BOOK REVIEW
BOOK REVIEW
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample...
A home-schooled squireling sallies forth to public school, where the woods turn out to be treacherous and dragons lie in wait.
Imogene Vega has grown up among “faire-mily”; her brown-skinned dad is the resident evil knight at a seasonal Renaissance faire, her lighter-skinned mom is in charge of a gift shop, and other adult friends play various costumed roles. As a freshly minted “squire,” she happily charges into new weekend duties helping at jousts, practicing Elizabethan invective (“Thou lumpish reeling-ripe jolt-head!” “Thou loggerheaded rump-fed giglet!”), and keeping younger visitors entertained. But she loses her way when cast among crowds of strangers in sixth grade. Along with getting off on the wrong foot academically, she not only becomes a target of mockery after clumsy efforts to join a clique go humiliatingly awry, but alienates potential friends (and, later, loving parents and adoring little brother too). Amid stabs of regret she wonders whether she’s more dragon than knight. In her neatly drawn sequential panels, Newbery honoree Jamieson (Roller Girl, 2015) portrays a diverse cast of expressive, naturally posed figures occupying two equally immersive worlds. In the end Imogene wins the day in both, proving the mettle of her brave, decent heart in finding ways to make better choices and chivalric amends for her misdeeds.
Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample the wares and fun. (Graphic fiction. 10-13)Pub Date: Sept. 5, 2017
ISBN: 978-0-525-42998-2
Page Count: 248
Publisher: Dial Books
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
