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THE RHYTHM OF MY LIFE

Overemphasizes failed romances rather than the author’s more interesting personal history.

Milien’s debut memoir describes his numerous trials with love and faith from his childhood in Haiti to his adult life in the United States.

As a child in Port-au-Prince, Milien grew up in a world where loas, the spirits of Haitian voodoo, acted as intermediaries between God and human problems, and he always tried to follow the primary moral law of Haitian culture: “Be obedient to and respectful of seniors so they will not use voodoo to punish [you].” Against this backdrop of spells and superstitions, Milien first learned that some people are untrustworthy: Friends betrayed him, and elders cursed him for no reason. After high school, the author lost his mother in a tragic accident and found himself in love with two women: Margaret and Francine. Milien finally chose Margaret, who died of a sudden illness, leaving him to feel betrayed by God. He then moved to New York with his next love, Rosita, only to feel betrayed again when he discovered a note in which she claimed she did not love him anymore. Milien spent the next several years of his life exploring different churches and religions, ranging from Episcopalian to the Church of Latter-day Saints, acquiring several master’s degrees in various fields of study and continuing to question his relationship with God and his handling of romantic and interpersonal dilemmas. Milien uses his life’s misfortunes to wax philosophical on the nature of God and man. At several points, he produces lovely passages, such as the early conclusion: “I must bend to God’s slightest caprices….I should consider all tragedies as opportunities for ecstasy.” While his language can be beautiful and engaging, Milien repeatedly revisits these reflections, often to the detriment of his own story. The memoir fixates on his various romantic entanglements and their effect on his worldview. Consequently, his success in higher education, the life he builds in America, and his thoughts on the fascinating world he grew up in—subjects that seem worthy of more exploration—receive very little attention.

Overemphasizes failed romances rather than the author’s more interesting personal history.

Pub Date: Dec. 9, 2018

ISBN: 978-1-5320-6366-4

Page Count: 224

Publisher: iUniverse

Review Posted Online: June 7, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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