A gorgeous novel of Africa's entanglement with the wider world.
A magisterial novel about life amid East Africa's tumultuous cultural and political ferment in the shadow of the American war on terror.
Owuor (Dust, 2014) returns with a sweeping story of lives that intersect on Pate, an island off the coast of Kenya. The island is a palimpsest, a place where people come to forget or rewrite their life stories, and Owuor introduces us to a vivid set of characters who all want to begin their lives again in the island's embrace. We first meet Munira, the daughter of a wealthy business family that tries to marry her off to "an austere scholar" after she becomes pregnant with an unknown man's child. The incident proves ignominious for her family, and soon Munira is left alone on Pate with her irrepressible daughter, Ayaana. The duo lives a quiet life until the sudden arrival of Muhidin, an avowed infidel who long ago abandoned Pate for the life of a sailor. "Between religion and my black skin there shall be a sky's distance until the day I hear the Call to Atonement," he promised upon leaving the island. In his old age, though, he begins to fixate on his home: "Pate," he ruminates. "A phantom-calling invocation. Memories crawled over Muhidin like arachnids sneaking out of forgotten crypts." He soon finds himself bound up in Munira’s and Ayaana's lives, as the daughter sees in him the father she never knew, and Muhidin feels himself drawn into a paternal bond with her. Meanwhile, the island is beset by American troops—whom the locals refer to derisively as "the Terrorized"—who hope to combat terrorism by cultivating the islanders' hearts and minds. In the midst of the conflict, another stranger arrives: Ziriyab, a migrant fleeing military retribution after his brother participates in the bombing of a foreign navy ship. His appearance forever alters Munira, Ayaana, and Muhidin's motley family. For all the emphasis on contemporary geopolitics, however, Owuor has ultimately written a novel that is about everything the war on terror cannot register: the vastness, complexity, and richness of East Africa's cultural world. She represents it as a stunning mélange of Islamic and African cultural traditions that are woven together via the motif of the sea. Pate becomes the epicenter of an ethos and a people who move freely, sailing without regard for cultural and national borders. The novel features an enormous cast of vividly drawn characters, from Chinese businessmen to Wahhabi Islamic fundamentalists. Its heart, however, is the quartet of characters who motivate the novel's primary narrative. Rendered in language that is heart-rendingly lyrical (even if it does border on purple at times), Munira, Ayaana, Muhidin, and Ziriyab are unforgettable figures. Owuor's language is so lush, and her vision so vibrant, that by the time Ayaana emulates Muhidin and embarks upon her own sea journey, it doesn't much matter; the reader is likely sunken down into the pleasure of Owuor's sentences. To do so feels like sinking down into the intricacy of East Africa.
A gorgeous novel of Africa's entanglement with the wider world.Pub Date: March 12, 2019
ISBN: 978-0-451-49405-4
Page Count: 512
Publisher: Knopf
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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