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WHAT IT TAKES TO GET TO VEGAS

Men will break your heart, but sisterhood is powerful in this uneven but arresting second novel by the author of Locas (1997). That’s sisterhood as a blood relationship, not a political movement, though there are also echos of “brown female power” feminism in Murray’s gritty tale of growing up scandalous in East L.A. For the most part, however, Rita Zapata finds the Mexican-American women in her poverty-stricken neighborhood quick to judge her a putana like her promiscuous mother. It’s Rita’s younger sister, Dolores, who saved her after she accidentally set her hair on fire as a teenager, who claims her heart and her fiercest loyalty—until Billy Navarro shows up. Rita has slept with most of East L.A.’s aspiring boxers (indeed, most of its men, period) in her search for someone on his way up and out who—ll take her with him, and in Billy she finds not only a potential champ but a man who understands her. “You want better than what you got,” he tells Rita, “You got dreams.” For a while Billy seems to fulfill them. He takes her with him on his ascent to a title bout in Las Vegas, and his win gains her some grudging respect from “las girlfriends,” even though they prefer the respectably married Dolores. But identity won through a man can be lost the same way, and Rita hits bottom around about the time Dolores’s political activism indirectly gets her husband killed and riots in 1997 nearly incinerate the Hispanic ghetto. Murray has a sharp eye for the particulars of Mexican-American life, and her prose is juicily vivid. But there’s a fine line between affirming the values of an ethnic subculture and reinforcing its stereotypes; Murray’s hot-mama Latinas and their swaggering men seem perilously close to the latter. Readable and intelligent, though this writer of promise and ferocious energy needs to scrutinize her subject matter a little more deeply.

Pub Date: July 1, 1999

ISBN: 0-8021-1642-6

Page Count: 320

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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