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RACING ORION

Although much of this is cartoonishly over-the-top, there is surely an enthusiastic audience for it.

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In Franz’s thriller, one CIA agent strives to save the world from the mother of all viruses.

CIA agent Jeremy Kent was a mole in a bad guys’ outfit and was discovered, but only after he had snatched and hidden the antidote to the most insidious and powerful artificial virus known to humankind. Of course, he does not crack under torture, and in the nick of time, escapes. (In fact, he escapes time and time again!) Jeremy is being chased now all across Europe, and in a particularly harrowing getaway, beautiful innocent bystander Allison Shaw is pulled into the chaos. Now it is the two of them on the run—and of course the seeds of love have been planted. They have the antidote to the virus but must retrieve a key (don’t ask) that has been stashed in Buckingham Palace. Franz certainly knows how to keep things moving. The chapters are very short, and unlike thrillers with more subtle plots, this one is really just one long, relentless, hair-raising chase. The good guys are good, and the bad guys are horrifically, pathologically bad. Jeremy is not George Smiley but rather James Bond, squared. At one point, he chews into his own shoulder to get out a capsule that will simulate death. He is shot, knifed, and thrown around like a rag doll, but he always recovers with, seemingly, no lasting effects. There are some good if overwrought lines (“A cloud of nightmarish déjà vu instantly filled the cabin”), and the writing is generally up to the job despite occasional typos. At the climax, all seems lost, but we have learned by now to trust in the hokey faith that Franz has instilled in us.

Although much of this is cartoonishly over-the-top, there is surely an enthusiastic audience for it.

Pub Date: Oct. 1, 2021

ISBN: 978-1-09-837913-1

Page Count: 308

Publisher: BookBaby

Review Posted Online: Sept. 20, 2021

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  • New York Times Bestseller

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THE HOUSE ACROSS THE LAKE

A weird, wild ride.

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  • New York Times Bestseller

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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THE MATCHMAKER

Intrigue, murder, and vengeance make for a darkly enjoyable read.

A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.

In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.

Intrigue, murder, and vengeance make for a darkly enjoyable read.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64313-865-7

Page Count: 352

Publisher: Pegasus Crime

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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