Though sometimes overly detailed, this is a top-notch exploration of one of the most important midcentury writers.
Leader (English Literature/Roehampton Univ.) concludes his exemplary life of the famed Canadian-American writer whose literary successes were matched by familial psychodramas, feuds, and other such mishegoss.
As the author picks up from The Life of Saul Bellow: To Fame and Fortune, 1915-1964 (2015), the subject of his biography has attained great fame and fortune. Henderson the Rain King (1959) has had five years to make waves, building on earlier books such as The Adventures of Augie March and Dangling Man, and now Herzog (1964) is out, nearly universally hailed and climbing the charts, “supplanting John Le Carré’s The Spy Who Came in from the Cold” on the bestseller lists. At the time, however, Bellow was not satisfied. Having established himself as a top-flight novelist, he tried his hand at a play that ran for only a month and received some of the toughest reviews of his career, along with a note from Lillian Hellman that Bellow summarized as “I’ve written a lot of interesting soliloquies, but there’s not a play in sight.” Undaunted, Bellow returned to prose with a vengeance, putting into practice his pronounced habit of taking every element from real life and conversation and working it into his fictional narratives. Leader ably charts Bellow’s continuing evolution as a writer, which will cheer his fans: Bellow matched talent, after all, with an impressive work ethic. Less cheering are his relationships with children, lovers, and spouses, all of which involved considerable drama and, even on his deathbed, shouting and recriminations. His cantankerousness punctuates almost every page, as when he explodes in anger over a companion’s going off to see a popular movie while he attended his son’s wedding: “By eroding the standards of a wide literate audience,” Leader glosses, “M*A*S*H was debasing as well as debased." Always hard at work and always in battle mode, Bellow emerges as a brilliant writer who never minded being disliked—and offered many reasons to do so.
Though sometimes overly detailed, this is a top-notch exploration of one of the most important midcentury writers.Pub Date: Nov. 6, 2018
ISBN: 978-1-101-87516-2
Page Count: 784
Publisher: Knopf
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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