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UNCENSORED

MY LIFE AND UNCOMFORTABLE CONVERSATIONS AT THE INTERSECTION OF BLACK AND WHITE AMERICA

A memoir that would have radiated greater power as a long-form magazine article.

Still in his early 20s, Wood chronicles his arduous upbringing as a black male, including his 15 minutes of fame (so far) while a college student.

Growing up, the author developed impressive intelligence and a dedicated character, but he had to battle a controlling, abusive mother suffering from bipolar disorder, his parents’ divorce, and struggles to pay for an elite education. The detailed accounting of his upbringing comprises more than three-quarters of the narrative; the renown does not arrive until Page 200. Wood was a student at Williams College in rural Massachusetts. Upset at the closed-minded nature of college students when given the opportunity to hear campus speakers sometimes labeled racist, sexist, homophobic, or politically extremist, the author became involved in the initiative Uncomfortable Learning. Some of the speakers he wanted to invite faced a veto from the Williams administration. Others, such as Charles Murray, were able to deliver their presentations and then engage in dialogue with the students. Wood received widespread national media attention as a result, and he is currently Robert L. Bartley fellow at the Wall Street Journal. The early part of the book, a mostly chronological account of Wood’s challenging life, offers pointed insight into the struggles of growing up black among often wealthy whites. However, the circumstances of Wood’s daily existence don’t engage with enough universal truths about race, financial struggles, and other similar topics. The author, who writes well, is a sympathetic narrator, and he has unquestionably displayed an impressive work ethic and devotion to free speech. But after the insight offered through his personal history, the analysis tails off, and his father, one of the most intriguing characters in the story, is somewhat of a spectral presence. As he continues to mature, expect Wood to grow as a writer and further the dialogues he sketches here.

A memoir that would have radiated greater power as a long-form magazine article.

Pub Date: June 19, 2018

ISBN: 978-1-5247-4244-7

Page Count: 272

Publisher: Dutton

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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