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THE LAST HUMAN

A flawed but satisfying SF adventure that is, at times, mind-blowing.

Jordan’s ambitious debut novel is an epic science-fiction adventure that chronicles the journey of an orphaned Human girl—believed to be the last member of an extinct species—from interstellar pariah to potential savior of her infamous race.

Sarya the Daughter lives with her adopted mother, Shenya the Widow—a giant, spiderlike “apex predator…wrapped in lightning and darkness”—on an orbital water-mining station in the rings of a giant gaseous planet. As a citizen of the Network, a vast accumulation of intelligence consisting of millions of species that has enabled faster-than-light travel and prevented conflict for a half-billion years, Shenya has protected Sarya and lied about her true identity: She is a Human, the one race destroyed by the Network because of its destructive tendencies. But when a bounty hunter attempts to abduct Sarya and her home is destroyed, the little Human finds herself on the run and all alone in a universe inhabited by godlike intelligences who may be using her as a pawn in a much deeper game. As she learns more about her race’s tumultuous relationship with the Network, she begins to realize that even one small, moderately intelligent bipedal being can make a difference, even when it involves conflicts with godlike entities. The sheer scope of the story is noteworthy, from the various intelligence tiers, which include groupminds and sentient planets, to the colossal settings (orbital stations, spaceships, the end of the universe, etc.). The theme of free will also packs a powerful punch. But while the grand-scale premise of the narrative is laudable, the story gets unwieldy in places, and the momentum suffers. Additionally, Sarya—while an intriguing character—never becomes fully three-dimensional, and the emotional impact of her journey feels muted and detached, overshadowed by the massiveness of the story unfolding around her.

A flawed but satisfying SF adventure that is, at times, mind-blowing.

Pub Date: March 24, 2020

ISBN: 978-0-451-49981-3

Page Count: 448

Publisher: Del Rey

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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MORNING STAR

From the Red Rising Trilogy series , Vol. 3

An ambitious and satisfying conclusion to a monumental saga.

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.

This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”

An ambitious and satisfying conclusion to a monumental saga.

Pub Date: Feb. 9, 2016

ISBN: 978-0-345-53984-7

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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