by Zack Lieberman illustrated by Louis Neubert ‧ RELEASE DATE: N/A
This urban Alice in Wonderland combines excitement and reflection to take readers on a colorfully wild ride through an...
In this graphic novel, a boy searches a surreal New York City for his lost dog, learning much about the world and himself.
Charlie, an imaginative youngster, enjoys spinning fantasies with his best buddy, Max the beagle, who plays “Sgt. Slobberface” to Charlie’s “Skyfighter 3030” in adventures reminiscent of Calvin’s Spaceman Spiff daydreams in the Calvin and Hobbes comic strip. One day, the two go out for a walk, and Max pulls at the leash to sniff and explore things. Charlie unfastens the dog’s lead when the two lie down for a nap in the park, but when the boy falls asleep, a passing cat with glowing aqua eyes galvanizes Max into a headlong chase. Charlie—his brown hair now also a shade of aqua, a subtle signal that readers are in dream time—runs behind, following Max out of the park, down to the subway, onto a car, and through New York City. Charlie has a series of often frightening Alice in Wonderland-style encounters with urban figures—subway riders, transit cops, street corner philosophers, skeletal socialites, a bike messenger—who all share their own worldviews. Charlie escapes from sticky situations, gets help from kind people, rescues Max from mean punks, and finds himself in a nightmarish amusement park. A recurring figure, an elderly African-American man, helps Charlie understand that “you alone control you, your energy. Your happiness and sadness…your fright, excitement.” Charlie (again with brown hair) wakes up with Max from their nap in the still-sunny park, and they play a joyous game of Frisbee. Debut author Lieberman, a filmmaker and media producer, brings cinematic energy to this dynamic, always-unfolding story, with good dialogue that captures a variety of speech. Debut illustrator Neubert’s illustrations, lavishly produced in full color on glossy paper, contribute greatly to the characterization and the storytelling, especially in the book’s wordless, more fantastic sections. In some ways, though, the book could use more surreality and nonsense, instead of explicitly teaching lessons, which may not appeal to young readers. Also, the presence of a magical African-American character who helps the white protagonist comes off as something of a cliché.
This urban Alice in Wonderland combines excitement and reflection to take readers on a colorfully wild ride through an archetypal New York.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Exit Strategy, New Media
Review Posted Online: Aug. 12, 2016
Review Program: Kirkus Indie
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by Leland Myrick & illustrated by Leland Myrick ‧ RELEASE DATE: Sept. 5, 2006
Short, gleeful and precise.
One artist’s mild childhood, told in episodic flashes.
It’s been a while since we’ve seen a tale of growing up that trades neither in overwhelming nostalgia nor sheer, unmitigated dysfunction, so the publication of this illustrated memoir by Myrick (Bright Elegy, not reviewed) is especially welcome. The artist’s upbringing in a small Missouri town not far from St. Louis is chronicled in self-contained episodes identified by year, beginning in 1961 and ending in 1985. Each chapter is an evocative vignette that could almost stand on its own, and several have a Bradbury-esque glow, while darkness falls over some sections. In “My Father’s Hands,” which begins with the family dressing for court, Myrick’s oldest brother, “head bowed, hippie beard pressed against his chest,” gets a ten-year sentence for bank robbery. The most imaginative of these episodes compares his pregnant mother’s swollen belly to the distended shape of “one dying grandmother bulging with the death growing in her stomach,” then envisions the birth of the artist and his twin: “We enter the world, my brother and I . . . with the circle of life wobbling unsteadily. Attached to a grandmother we will never meet.” Most of these stories began as poems, and their elliptical lilt remains, accentuated by Myrick’s artwork (color by Hilary Sycamore), replete with haunted eyes and giant, toothy smiles. By the end, when his youthful self shakes off the past (“I feel the presence of my local gods waning”) and he heads for California, readers may feel wistful for a childhood they never experienced.
Short, gleeful and precise.Pub Date: Sept. 5, 2006
ISBN: 1-59643-110-5
Page Count: 112
Publisher: First Second/Roaring Brook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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by Jim Ottaviani ; illustrated by Leland Myrick
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by Lurlene McDaniel ‧ RELEASE DATE: Dec. 18, 2018
Put this one out to pasture. (Inspirational romance. 16-adult)
Her heart problem is the least of the issues standing between Kenzie and love.
Kenzie Caine grew up as the pampered, privileged daughter of a well-known breeder of Tennessee walking horses. When she discovered her father and his trainer were abusing their horses to enhance their performance, Kenzie turned her back on her family—making her feel doubly guilty over the suicide of her younger sister due to bullying. Now, in the summer after her sophomore year of college, she’s working on a horse farm, rehabilitating rescue horses. Despite her heart condition, the result of a childhood bout with Kawasaki disease, she is fit and physically capable. Enter Austin Boyd, kicking off a series of clichéd moments and statements like “Fire from Kenzie was better than ice.” Kenzie struggles to let Austin in, afraid to risk her heart. She has a plan for her life—to become an equine veterinarian, not to fall in love. Yet her feelings for Austin keep growing stronger. Will learning the secrets Austin has been hiding make Kenzie put her walls back up? The trite romantic trappings aren’t helped by stilted prose that contains reams of exposition. Neither Austin nor Kenzie is a distinct character, due in large part to the frequent and clumsy point-of-view shifts. All characters appear to be white and living lives of privilege.
Put this one out to pasture. (Inspirational romance. 16-adult)Pub Date: Dec. 18, 2018
ISBN: 978-1-5247-1948-7
Page Count: 288
Publisher: Delacorte
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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