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MAX & CHARLIE

This urban Alice in Wonderland combines excitement and reflection to take readers on a colorfully wild ride through an...

In this graphic novel, a boy searches a surreal New York City for his lost dog, learning much about the world and himself.

Charlie, an imaginative youngster, enjoys spinning fantasies with his best buddy, Max the beagle, who plays “Sgt. Slobberface” to Charlie’s “Skyfighter 3030” in adventures reminiscent of Calvin’s Spaceman Spiff daydreams in the Calvin and Hobbes comic strip. One day, the two go out for a walk, and Max pulls at the leash to sniff and explore things. Charlie unfastens the dog’s lead when the two lie down for a nap in the park, but when the boy falls asleep, a passing cat with glowing aqua eyes galvanizes Max into a headlong chase. Charlie—his brown hair now also a shade of aqua, a subtle signal that readers are in dream time—runs behind, following Max out of the park, down to the subway, onto a car, and through New York City. Charlie has a series of often frightening Alice in Wonderland-style encounters with urban figures—subway riders, transit cops, street corner philosophers, skeletal socialites, a bike messenger—who all share their own worldviews. Charlie escapes from sticky situations, gets help from kind people, rescues Max from mean punks, and finds himself in a nightmarish amusement park. A recurring figure, an elderly African-American man, helps Charlie understand that “you alone control you, your energy. Your happiness and sadness…your fright, excitement.” Charlie (again with brown hair) wakes up with Max from their nap in the still-sunny park, and they play a joyous game of Frisbee. Debut author Lieberman, a filmmaker and media producer, brings cinematic energy to this dynamic, always-unfolding story, with good dialogue that captures a variety of speech. Debut illustrator Neubert’s illustrations, lavishly produced in full color on glossy paper, contribute greatly to the characterization and the storytelling, especially in the book’s wordless, more fantastic sections. In some ways, though, the book could use more surreality and nonsense, instead of explicitly teaching lessons, which may not appeal to young readers. Also, the presence of a magical African-American character who helps the white protagonist comes off as something of a cliché.

This urban Alice in Wonderland combines excitement and reflection to take readers on a colorfully wild ride through an archetypal New York.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Exit Strategy, New Media

Review Posted Online: Aug. 12, 2016

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THE STARS WE STEAL

A thrilling romance that could use more even pacing.

For the second time in her life, Leo must choose between her family and true love.

Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.

A thrilling romance that could use more even pacing. (Science fiction. 16-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-328-94894-6

Page Count: 400

Publisher: HMH Books

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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