A biting social satire–cum-thriller; dark, playful, and brimming with life.
In Harris’ slyly brilliant debut, a young editorial assistant is thrilled when her glaringly White employer hires another Black woman—but it soon becomes clear there’s something sinister about the new girl, who isn’t what she seems.
Young, literary, and ambitious, Nella Rogers has spent the last two years as an editorial assistant at Wagner Books, a premier New York City publishing house, where, for the entirety of her (somewhat stalled) tenure, she’s been the only Black person in the room. How she feels about this depends on the day—for all her frustrations, she can’t help but be a little proud of her outsider status—but still, she’s excited when she detects another Black girl on her floor: finally, someone else who gets it. And she does, at first. Wagner’s newest editorial assistant, Hazel-May McCall, cool and self-possessed, is quick to befriend Nella, echoing her frustrations with the never-spoken racial politics of their office, encouraging her to speak up. But it doesn’t take long for Nella to realize there’s something off about Hazel, even if she can’t quite put her finger on it. There’s something weird about how easily she fits in among the higher-ups at Wagner, about the way she's instantly and universally beloved by top editors, the way her story—born in Harlem, daughter of civil rights activists, a grandfather who died protesting—exactly matches their ideas about Blackness in a way that Nella’s middle-class suburban childhood never will. And then, shortly after Hazel's arrival, the first anonymous note arrives on Nella’s desk: “Leave Wagner Now.” Hazel? And if not Hazel, then who? Nella begins searching for answers—and in the process, finds herself at the center of a dangerous conspiracy that runs far deeper than she ever could have known. If it sounds like a moralistic sledgehammer of a novel—well, it would be if Harris were any less good. In her hands, though, it’s a nuanced page-turner, as sharp as it is fun.
A biting social satire–cum-thriller; dark, playful, and brimming with life.Pub Date: June 1, 2021
ISBN: 978-1-9821-6013-5
Page Count: 368
Publisher: Atria
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
PERSPECTIVES
SEEN & HEARD
A fun read. Terrorists make great Clancy fodder.
Evildoers plan attacks from America to India, and Jack Ryan Jr. is a prime target.
In Washington state, a man and his family are murdered, and President Jack Ryan learns it is another Poseidon Spear incident. Three retired members of that counterterrorism group have been killed now, and the U.S. government suspects a mole in its midst. Meanwhile, the Umayyad Revolutionary Council believes it has a holy and wholly anti-American mission. Against this backdrop, Jack Ryan Jr., and his fiancée, Lisanne Robertson, visit Delhi, India, to attend the wedding of Srini Rai, the brilliant surgeon who attached Lisanne’s prosthetic left arm. Lisanne had lost her arm in Tom Clancy Shadow of the Dragon (2020). Jack and Lisanne are both operators working for the Campus, a covert group that executes secret presidential directives. A wedding is a happy occasion, and the engaged American couple intend the trip as a vacation. Jack and Lisanne will attend a sangeet, an elaborate pre-wedding party. But it isn’t long before they survive a suicide bomb attack. As with all Clancy novels, there’s plenty of action on a global scale. In simultaneous strikes, terrorists plan to contaminate America’s Western water supply with radioactive waste from Washington’s Hanford nuclear power plant, blow up a spectacular new bridge in Kashmir, and kill the evil Ryan—or Junior, at least. It will be At-Takwir, the end of days. There is an appealing mix of Indian culture, high-speed action, and the rich lode of details that characterizes the whole series. And in the background lingers the question on several characters’ minds: Have Jack and Lisanne set their own wedding date?
A fun read. Terrorists make great Clancy fodder.Pub Date: Sept. 2, 2025
ISBN: 9780593718032
Page Count: 448
Publisher: Putnam
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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