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MY LIFE AS A TRAITOR

Ghahramani’s shockingly honest recollections grimly complement Marina Nemat’s account of her ordeal at Evin in the early...

Determinedly self-critical memoir of an Iranian student’s incarceration and torture in Evin Prison.

Born in 1981, two years after the triumph of the Islamic Revolution, Ghahramani grew up fairly privileged in a fashionable Tehran neighborhood. Her father, a well-educated Kurdish Muslim, had been a high-ranking military officer under the shah. Her mother still practiced Zoroastrianism, the ancient religion suppressed with varying degrees of severity ever since invading Arabs imposed Islam on Persia in the seventh century. The author lived in two worlds, publicly demonstrating loyalty to the state and dutifully wearing “basic black from the head downward” in school, while at home she could wear what she liked and freely inquire into any subject. In 2001, she was seized off a street in Tehran, blindfolded and driven to the dreaded Evin Prison. Writing in English with the help of journalist Hillman, Ghahramani alternates a grim portrait of her incarceration with happy memories of her youth. She avidly read García Lorca, embraced Persian culture and the Farsi language and broke up with a young businessman who insisted she wear a chador to a friend’s wedding. In jail, interrogated by a series of odious tormentors whose identity she could only guess by the sound of their voice and their smell, she was beaten with a studded belt, her hair brutally shaved off. The terrified young woman wasn’t heroic enough to withstand torture; she identified her friends in photos taken by the police. Conversations through a fan grille with a crazy prisoner in the cell above her somewhat assuaged her grief and guilt at having become “a trained rat” for her jailers. Eventually, the author was dumped in a Tehran suburb and returned to her family. She now lives in Australia, but her burning passion for her language and culture remain.

Ghahramani’s shockingly honest recollections grimly complement Marina Nemat’s account of her ordeal at Evin in the early 1980s (Prisoner of Tehran, 2007), reminding us how little has changed for women in Iran.

Pub Date: Jan. 3, 2008

ISBN: 978-0-374-21730-3

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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