Next book

THE THIRTY NAMES OF NIGHT

Gorgeous and alive.

A fable of being and belonging from the author of The Map of Salt and Stars (2018).

This is the story of two artists who are connected by secret histories. This is also the story of a trans man struggling to come out to the people closest to him and a woman who found new love even though her way of desiring seemed impossible in the time and place in which she was born. This is a story about immigrants. This is a ghost story, and the specters that haunt its pages are literal and figurative. And this is a story about birds. What binds all these disparate strands together are Joukhadar’s deep sympathy for his characters and his powerfully poetic voice. One-half of the novel is set in contemporary New York. The narrator is unnamed because the name he was given at birth no longer fits him. As he tries to express his true gender, he addresses his dead mother as if her absence makes his transition impossible. “There is so much of you—and, therefore, of myself—that I will never know,” he writes. Laila Z’s tale begins in 1920, in French-occupied Syria. After her family immigrates to America, she becomes an acclaimed illustrator of birds. The unnamed narrator knows her work because she was his ornithologist mother’s favorite artist, and, when he stumbles upon Laila’s diary, he finds the key to unlocking himself. Joukhadar is writing for a general American audience about people who are often categorized as “other.” Both narrators are Syrian American, as are most of the significant characters. Many of these characters are also queer. The author creates a world for his characters in which readers who are perhaps unfamiliar with the communities being represented can find their way around, but he does not feel compelled to translate and explain. And Joukhadar’s prose style—folkloric, lyrical, and emotionally intense—creates its own atmosphere.

Gorgeous and alive.

Pub Date: Nov. 3, 2020

ISBN: 978-1-9821-2149-5

Page Count: 304

Publisher: Atria

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 374


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 374


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Next book

WE BURNED SO BRIGHT

An existential crisis that steps on its own final moments.

With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.

After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.

An existential crisis that steps on its own final moments.

Pub Date: April 28, 2026

ISBN: 9781250881236

Page Count: 176

Publisher: Tor

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

Close Quickview