An incandescent tale of the French Revolution from the perspective of those history often renders invisible.

MADEMOISELLE REVOLUTION

A mixed-race young woman attempts to find love, freedom, and her cultural identity amid the revolutionary throes of 18th-century Saint-Domingue (now Haiti) and Paris.

Eighteen-year-old Sylvie de Rosiers was born free, though the shadow of her mother’s enslavement remains an unshakeable part of her life. Her race bars her from entering certain echelons of aristocratic society, but as the daughter of a White coffee plantation owner, she also enjoys certain luxuries—a life of leisure on her family’s large estate and the hope of one day marrying a powerful man who belongs to the mixed-race affranchi class. After the public execution of the rebel Vincent Ogé, however, a slave uprising forces her to question the privileges her upbringing has afforded her. She and her brother, Gaspard, flee to Paris to seek refuge with an aunt, and Sylvie soon befriends Cornélie Duplay, a painter and the mistress of the famous revolutionary leader Maximilien Robespierre. Although Sylvie appreciates new freedoms in France, she still finds herself on the margins of society. The royalists disdain her because of her mixed-race heritage, and the lower-class republicans, the sans-culottes, revile her bourgeois status. Amid Sivak’s vividly drawn portrait of the bloody political and civil unrest in Paris during the last years of the Revolution, Sylvie finds her romantic passions in turmoil as well. While her admiration for Robespierre grows, she also finds herself increasingly attracted to Cornélie. As an ascending faction within the National Convention intensifies the call to purge anyone deemed a traitor to the Republic, Sylvie finds her heart increasingly torn between love and duty as she painstakingly comes to terms with the steep costs of both.

An incandescent tale of the French Revolution from the perspective of those history often renders invisible.

Pub Date: Aug. 2, 2022

ISBN: 978-0-593-33603-8

Page Count: 432

Publisher: Berkley

Review Posted Online: May 25, 2022

Kirkus Reviews Issue: June 15, 2022

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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IT STARTS WITH US

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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