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VAMPIRES NEVER GET OLD

TALES WITH FRESH BITE

Vampire fans, sink your teeth into this satisfying collection.

Fresh takes on a perennial paranormal favorite from leading YA authors.

The classic vampire archetype—“white, cisgender, straight, and able-bodied”—makes way for a diverse reimagining of the blood-drinking immortals in this anthology. In Tessa Gratton’s “Seven Nights for Dying,” an anonymous narrator is given a week to consider an offer while grappling with furious grief. A lonely teenage Latinx vampire makes an unexpected connection through his blog in Mark Oshiro’s “Mirrors, Windows & Selfies.” An Eternal woman and a Shadow Baron make a wager in Dhonielle Clayton’s “The House of Black Sapphires,” set in a dazzling alternate version of New Orleans. A gay Native teen summons an urban legend in Rebecca Roanhorse’s “The Boys From Blood River” but gets more than he bargained for. Themes of power, transformation, and agency weave through these 11 tales, which also feature a 19th-century grave robber, a cheerleading vampire slayer, and an Instagram-savvy elder vampire. The tone of the stories ranges from the playful narration of Samira Ahmed’s “A Guidebook for the Newly Sired Desi Vampire” to the simmering rage of Kayla Whaley’s disabled protagonist in “In Kind.” The cast, living and (un)dead, includes characters who represent multiple dimensions of diversity. Each story is followed by a brief commentary and thought-provoking questions from the editors.

Vampire fans, sink your teeth into this satisfying collection. (editors' note, author bios) (Paranormal fantasy. 14-18)

Pub Date: Sept. 22, 2020

ISBN: 978-1-250-23001-0

Page Count: 272

Publisher: Imprint

Review Posted Online: July 7, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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EACH OF US A DESERT

A meditation and adventure quest offering solace to anyone bearing an unfair burden.

What does it mean to come into your own power by letting go of it?

The villagers of Empalme devoutly pray to Solís, the feared higher power who unleashed La Quema, or fire, on humanity for its ills of greed, war, and jealousy. As the village cuentista, Xochitl listens to and receives the villagers’ stories into her body, clearing their consciences, preventing the manifestation of their nightmares, and releasing them to Solís in the desert. Having diligently played this role since childhood, she is now a deeply lonesome 16-year-old whose only comfort comes from cherished poems. Worn weary by her role, she leaves on an odyssey in search of another way to exist. In their sophomore novel, Oshiro deftly weaves an intricate, allegorical, and often gory tale within a post-apocalyptic desert setting that readers will feel so viscerally they may very well need to reach for a glass of water. It is a world parallel to ours, rife with Biblical references and the horrific traps that Latinx immigrants face while seeking better lives. Xochitl’s first-person, questioning narration—interlaced with terrifying cuentos that she receives on her journey—is the strongest voice, although secondary and tertiary characters, both human and mythical, are given a tenderness and humanity. All main characters are Latinx, and queer relationships are integrated with refreshing normality.

A meditation and adventure quest offering solace to anyone bearing an unfair burden. (Fantasy/horror. 14-18)

Pub Date: Sept. 15, 2020

ISBN: 978-1-250-16921-1

Page Count: 432

Publisher: Tor Teen

Review Posted Online: June 24, 2020

Kirkus Reviews Issue: July 15, 2020

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WHEN WE WERE MAGIC

An intimate portrait of female friendship laced with literal and metaphorical magic.

Getting through high school requires more than a little bit of magic.

On prom night, when Alexis accidentally kills Josh Harper, she panics and summons her five best friends—Paulie, Roya, Iris, Marcelina, and Maryam—for help. Alexis knows she can rely on them, not only because of their unshakeable friendship, but because of what they have in common: the ability to do magic. Attempting to make things right, the girls cast a spell but are left with a disconnected collection of Josh’s body parts, including a cold, glassy version of his heart. They divide them up and agree to dispose of what is left of Josh, piece by piece. Alexis insists on witnessing each body-part-releasing ceremony, in the process exploring her bonds with her friends—and, in one case, feelings that go far beyond friendship. But as their relationships strengthen, the spell takes its toll: Every time they lose a body part, the girls lose something too, forcing them to rethink how they define themselves and each other. This work of speculative fiction is a profoundly thoughtful exploration of female friendship, love, growth, and identity. The fully realized characters are diverse in ethnicity, sexuality, and gender identity. While the final two-thirds of the book are beautifully paced, balancing introspection and character development with plot, the first third at times feels weighed down by explanation and backstory.

An intimate portrait of female friendship laced with literal and metaphorical magic. (Speculative fiction. 14-18)

Pub Date: March 3, 2020

ISBN: 978-1-5344-3287-1

Page Count: 352

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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