"This novel isn't for the squeamish, prudish, or faint of heart."
When Ronald Checker hops into the back of Terry "Juice" Lawson's taxi late one night in Edinburgh, on the eve of Hurricane Bawbag, Terry finds himself entangled in various webs of love, lust, money, and violence.
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"A sometimes pleasurably over-the-top, sometimes simplistic proof that physical and mental health aren't always intertwined."
A rage-fueled gym rat enters into an abusive, symbiotic relationship with an overweight artist in a brash, decidedly Welsh-ian study of body image and media.
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"Red meat for Welsh cultists, but a heavy load for anybody else."
Once more into the ditch: Welsh revisits the economically depressed, heroin-sick slums of Edinburgh in this hefty prequel to Trainspotting (1993).
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"Jane Austen might have laughed at Welsh behind her parasol, but wouldn't have let him into the parlor. Readers who are getting tired of the same old shite may likewise be getting ready to show him the door."
The Scottish provocateur best-known for his ebulliently racy novels (The Bedroom Secrets of the Master Chefs, 2007, etc.) is at it again, in a new collection of four stories and a short novel.
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"Something new from the antic provocateur whose recent books have been frustratingly uneven. Welsh's best since his spectacular debut novel Trainspotting."
The dangerous symbiotic relationship embracing two profoundly different protagonists forms the core of Scottish-born Welsh's seventh novel.
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"A treat for aficionados of local color and connoisseurs of street life and violence. And nearly 500 pages for everyone."
Welsh's eight-volume novel (Filth, 1999; Ecstasy, 1996, etc.) is a windy exposition lasting two decades and detailing the lives of four Scottish pals who sustain a long friendship.
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The third and most willfully irreverent novel yet from Scotland's answer to William Burroughs, Hubert Selby Jr., and, arguably, Howard Stern.
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"Magical, without a hint of cloying sentiment. (First serial to Grand Street)"
Welsh, Scotland's brightest young literary rebel (The Acid House, stories, p. 181), weighs in with a technically dazzling and emotionally wrenching portrait of working-class youth wasted in an emotional vacuum.
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"Welsh often settles for shock value, sleazy sex, and heroin chic, but he's actually a better writer than many who've been here before, especially Burroughs and his epigones."
A collection of 21 stories and one novella—Welsh's second book, but his first published stateside—that will inevitably be compared to last year's Booker winner, James Kelman.
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