This novel isn’t for the squeamish, prudish, or faint of heart.
When Ronald Checker hops into the back of Terry “Juice” Lawson’s taxi late one night in Edinburgh, on the eve of Hurricane Bawbag, Terry finds himself entangled in various webs of love, lust, money, and violence.
Checker is an American "punk businessman" complete with reality TV stardom, Southern pedigree, and fanatical, self-serving religious faith. When he hops into the back of Terry’s cab and hires him for the remainder of his stay in the city, Terry’s life begins to stockpile not only criminal plots, but also an onslaught of undesirables one might hope to avoid: his flighty half brother, Jonty MacKay, who works under-the-table painting gigs; his various bastard children; several prostitutes; “The Poof,” a local gang ringleader, and his posse; a Dane with a competing offer on a rare bottle of Scotch; and too many women to count or catalog. Terry manages to deal drugs, placate the man-child millionaire, and shag his way across the entire Midlothian; he attempts to locate a missing call girl, nearly reconnects with his children, and discovers that his heart is no longer healthy enough for sex. His relationships are plenty, complicated, and nuanced. As always, Welsh (The Sex Lives of Siamese Twins, 2015, etc.) takes things from zero to 60 in his latest novel. Chapters alternate between the perspectives of various characters, and many are written entirely in broad Scots, one of Welsh’s trademark stylings. Also true to form are the characters, always gritty and with unrelenting personality. The baggage each character lugs around is heavy, often resulting in various shades of violence such as rape, murder, and arson. Masterfully, Terry develops and stays true to his almost fiendish appetites throughout the novel, all while exploring his complicated family history and romantic endeavors, and still manages to avoid incarceration.
This novel isn’t for the squeamish, prudish, or faint of heart.Pub Date: Feb. 2, 2016
ISBN: 978-0-385-54089-6
Page Count: 368
Publisher: Doubleday
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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