by Irvine Welsh ‧ RELEASE DATE: Feb. 3, 2015
A sometimes pleasurably over-the-top, sometimes simplistic proof that physical and mental health aren’t always intertwined.
A rage-fueled gym rat enters into an abusive, symbiotic relationship with an overweight artist in a brash, decidedly Welsh-ian study of body image and media.
Scottish cult legend Welsh (Skagboys, 2012, etc.) takes a detour to Miami Beach for this novel, in which lead narrator Lucy puts her well-machined physique to good use early, stopping a gunman taking aim at two guys on a highway. A witness, Lena, records the incident, making Lucy into a momentary celebrity. But Lucy’s dreams of parlaying her semifame into a Biggest Loser–style reality show die quickly: The gunman turns out to have been aiming at alleged pedophiles, complicating the media narrative, and Lucy’s adrenalized demeanor alienates her would-be TV partners. Lucy does everything in a fury, from emails to back-alley sex with men and women she picks up in clubs, suggesting that the friendship she starts with Lena won’t go well. Indeed, it goes badly in a humanity-at-its-worst kind of way. What begins as Lucy’s boot-camp–style fitness plan for Lena, a brilliant artist unlucky in love, turns into a captivity tale that explores the body and our obsession with others to a disarming, at times grotesque degree. (The title refers to a subplot involving a media circus about conjoined twins.) Welsh writes intelligently in two registers—blown-gasket Lucy and subdued, self-pitying Lena—and he uses those differing tones to ingeniously explore how self-image influences our perceptions of others. The flaw is that the novel’s opening sense of emotional subtlety with both characters degrades into something more farcical, as the women become more blunt representations of fat vs. thin, punctuated with Grand Guignol splashes. Welsh isn’t given to hollow provocation, but the depth of his social critique is undermined by his more absurd plot turns.
A sometimes pleasurably over-the-top, sometimes simplistic proof that physical and mental health aren’t always intertwined.Pub Date: Feb. 3, 2015
ISBN: 978-0-385-53938-8
Page Count: 336
Publisher: Doubleday
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Irvine Welsh
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by Irvine Welsh
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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