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WITCHCRAFT LEGACY

A captivating and movingly elegiac memoir.

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Brewster chronicles the histories of 17th-century books that came into his family’s possession in the 1800s, and, through them, the troubled past of his clan.

In 1951, when the author was 10 years old and his brother, Sam, was 12, the pair found some old tomes in the attic of their home in Glen Cove, New York. The books were very old, and it was soon revealed that they dated all the way back to the mid-1600s. They were originally purchased by William Stoughton, who’s best known as the judge who presided over the infamous Salem witch trials, and who signed the death warrants of those who were unjustly convicted. One of the volumes bore what the author calls “creepy flyleaf notations,” handwritten by Stoughton, that mentioned “evil spirits.” The young author thought that this referred to a curse that haunted his own troubled family; later, he realized that Stoughton had pulled the phrase from a satirical poem about indefatigable bill collectors. The Brewster family originally obtained the books in 1801, and Brewster uses them in the memoir as a way to enter into a discussion of his family’s affluent but often unquiet past—one marked by war, depression, suicide, and even murder. The author recalls painful moments in his own personal history, as well, including a sexual assault he experienced as a boy almost 70 years ago, which he relates with the urgency of someone who’s determined to bear witness: “Harm and rage that will not go away, no matter how many decades pass, need to be voiced and heard.”

Brewster presents a memoir that’s intriguingly unconventional in style and structure. Although the narrative is built around the nearly 400-year-old tomes, it quickly transcends them and ultimately relates not only the author’s family history, but also a reflection on human nature: “My purpose in writing this little book has been not to document, much less glorify, any splinter or fragment of society. I mean only to tell a few stories, some comical, some sad or tragic, but in every case stories of universal human experience.” His family members’ lives are almost cinematically dramatic; in one memorable episode, for instance, the author flew to Turkey when he learned that his older brother, Tom, had been arrested for attempting to overthrow the government—a charge largely based on Tom’s possession of a Kurdish-Turkish dictionary. The curse of the evil spirits, as the young author understood it, made a profound impression upon him, and he saw it, in part, as an expression of inevitable torment that comes with wealth and an unceasing devotion to business. Overall, it’s an affecting work, and a thoughtful and engrossing meditation on attempting to come to grips with family difficulties that, as presented here, seem to have an air of inexorability. Brewster’s writing is elegantly polished, but also casually anecdotal, and the remembrance as a whole is so concise that readers are likely to be left wanting to read more of his recollections.

A captivating and movingly elegiac memoir.

Pub Date: Sept. 28, 2021

ISBN: 978-0-9913520-6-7

Page Count: 198

Publisher: Protean Press

Review Posted Online: Jan. 10, 2022

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SOMETIMES I TRIP ON HOW HAPPY WE COULD BE

Fans will appreciate this closer look into Perkins' life and adventures, and newcomers will get to know her well.

A thoroughly enjoyable journey into the mind of a beloved pop-culture commentator.

Perkins is a 2017 Audre Lorde fellow and host of This Is Good for You, a podcast for pleasure seekers. In this collection of essays, she interweaves pop-culture observations with deeply personal vignettes of self-discovery in a fickle and sometimes dangerous world. The author is unafraid to lay herself bare, and she boldly recounts the ups and downs of her life as a Black girl and woman. At the beginning of the book, Perkins recalls how, when she was 5, a naptime kissing bandit smooched her and other unsuspecting female classmates, waking her up to the power of femininity even then. Growing up during the 1980s and ’90s in Nashville’s Black community, she always had her nose in a book, seeking knowledge wherever she could find it. She struggled with her abusive, drug-addicted father, and while she looked up to her older sister, she also protected her autistic younger brother. Despite an early realization of the importance of pleasure, she was often at odds with her mind, battling depression and weight-related self-esteem issues. Her struggles often left her restless but never helpless, and part of the book includes a love letter to bygone days. Perkins describes how the Prince song “Girl” provided a sexual awakening, and she pays homage to Janet Jackson’s “all-black uniform,” which she learned was chosen so she could look slimmer. An unabashed fan of Frasier (“what I use as a regular antidepressant”), the author writes about her crush on Niles Crane and her online chat-room connections with others seeking safe, impersonal, but real digital camaraderie. Refreshingly, Perkins doesn’t deliver a standard happily-ever-after ending. Nobody is coming to save her from her circumstances, and that’s OK. She continues to strive and persevere by honing the ultimate secret weapons: self-acceptance and self-care.

Fans will appreciate this closer look into Perkins' life and adventures, and newcomers will get to know her well.

Pub Date: Aug. 17, 2021

ISBN: 978-1-5387-0274-1

Page Count: 272

Publisher: Grand Central Publishing

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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CRYING IN H MART

A MEMOIR

A tender, well-rendered, heart-wrenching account of the way food ties us to those who have passed.

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A poignant memoir about a mother’s love as told through Korean food.

Losing a parent is one thing, but to also lose direct ties to one’s culture in the process is its own tragedy. In this expansion of her popular 2018 New Yorker essay, Zauner, best known as the founder of indie rock group Japanese Breakfast, grapples with what it means to be severed from her Korean heritage following her mother’s battle with cancer. In an attempt to honor and remember her umma, the author sought to replicate the flavors of her upbringing. Throughout, the author delivers mouthwatering descriptions of dishes like pajeon, jatjuk, and gimbap, and her storytelling is fluid, honest, and intimate. Aptly, Zauner frames her story amid the aisles of H Mart, a place many Asian Americans will recognize, a setting that allows the author to situate her personal story as part of a broader conversation about diasporic culture, a powerful force that eludes ownership. The memoir will feel familiar to children of immigrants, whose complicated relationships to family are often paralleled by equally strenuous relationships with their food. It will also resonate with a larger audience due to the author’s validation of the different ways that parents can show their love—if not verbally, then certainly through their ability to nourish. “I wanted to embody a physical warning—that if she began to disappear, I would disappear too,” writes Zauner as she discusses the deterioration of her mother’s health, when both stopped eating. When a loved one dies, we search all of our senses for signs of their presence. Zauner’s ability to let us in through taste makes her book stand out from others with similar themes. She makes us feel like we are in her mother’s kitchen, singing her praises.

A tender, well-rendered, heart-wrenching account of the way food ties us to those who have passed.

Pub Date: April 20, 2021

ISBN: 978-0-525-65774-3

Page Count: 256

Publisher: Knopf

Review Posted Online: Jan. 29, 2021

Kirkus Reviews Issue: March 1, 2021

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