An engaging, swashbuckling tale of love and revenge during the age of piracy.
A Barbadian fugitive joins a pirate crew in this historical romance.
It’s the dawn of the age of piracy. Dinny Obosi has grown up an enslaved person on a Barbados plantation, the daughter of a Black man and an Irishwoman. Seeing the way the master, Owen Craig, looks at her, Dinny’s father arranges for her and her twin brother, Jimmie, to escape to Jamaica aboard a pirate ship—though not quickly enough to save her from a traumatic rape. With the help of a Chinese-born sailor named Lei, the twins board the ship Hades. Lei is infatuated with Dinny at first sight, and she is likewise ensnared by the mysterious seaman and his not-so-humble origins: “Lei’s comeliness moved her in the way a sunset might, one with colors and patterns she had never seen before. Every aspect of him entranced her. His eyes, so lovely—of course, she had seen striking eyes before, but none seemed to really see her.” Meanwhile, in Jamaica, Dinny’s cousin Ami is haunted by the ghostly vision of a Huguenot family facing persecution in France. The family turns out to be a real one, and the two surviving brothers, Ivan and Pax Durfort, are in the process of indenturing themselves as servants to a captain in order to win passage to the Caribbean, where they will crash right into the Obosi family’s destiny. When Lei and the other pirates—who consider Dinny to be a “daughter to the Hades” and therefore under their protection—launch a vendetta against Owen, they awaken the wrath of the man’s father, the powerful Adm. David Craig. Dinny takes to the pirate life—and the pirate prince that rescued her—but can she survive in such a dangerous line of work? As she and the crew of the Hades make their way across the Caribbean, they discover a powder keg of enslaved people, indentured servants, maroons, and outlaws waiting to explode.
In this series opener, Little delivers in terms of high-seas adventure, evoking the period and settings with her detailed prose: “Sugarcane-mantled hills rose and fell beneath the clear night sky as the moon neared the end of its journey in the western sky. Dinny, Lei, and Jimmie paused after reassuring themselves that they had lost the slave catchers. They stood at the top edge of a sloping terrace overlooking the coastal plains.” While the rhythms of the plot will be familiar to readers of historical romance novels, the main characters—and Lei, in particular—are original in ways that set them apart from the standard figures that populate the genre. Part of it is the diversity of backgrounds: The author deftly foregrounds the ways race, class, gender, and sexual orientation operate in the time period. Events of the plot sometimes feel contrived, and the sex scenes are often a bit over-the-top—even for such a romantic environment—but the book is generally immersive and entertaining. Readers looking for a pirate-based romance featuring a more diverse set of characters will likely enjoy this offering and look forward to the sequel.
An engaging, swashbuckling tale of love and revenge during the age of piracy.Pub Date: Nov. 27, 2021
ISBN: 978-1-944428-68-6
Page Count: 400
Publisher: Inklings Publishing
Review Posted Online: Nov. 3, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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