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Behind Closed Doors

DANA'S STORY

From the Behind Closed Doors series , Vol. 2

An uncompromising but profound urban tale from an incisive author.

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After six years in prison, a woman victimized by the system and her loved ones seeks retribution in Smith’s (Behind Closed Doors, 2015) searing drama.

Dana Toussaint’s father, Bernard, may be a drug dealer, but he provides well for his family in 1980s East St. Louis. When he wants out of the business, though, Dana’s mother, Diana, forces him out of the house. Twelve-year-old Dana, her mother, and her three younger siblings move to an apartment in the projects, and Diana, accustomed to having money, does the unthinkable by pimping Dana out to the perverse Mr. James on a regular basis. Years later, the cocaine-addicted teenager becomes a stripper, but she manages to finally escape Mr. James thanks to Tyree, whom an incarcerated Bernard sent to help her. After thugs brutally murder Dana’s friend Ja’El and most of Ja’El’s family, she decides to get out of East St. Louis by attending Gretna State University. She hasn’t left her old life behind, however, as she transports drugs across state lines for Tyree. Unfortunately, someone’s deception results in Dana’s arrest and imprisonment. Six years inside gives her time to compile a mental list of revenge targets, from her mother and Mr. James to Ja’El’s killers. This thoroughly engaging novel boasts a protagonist whose vengeance is justified; the reprehensible Mr. James, for example, is a pedophilic heroin dealer. Smith’s voice is both sturdy and elegant, delivering blunt, edgy prose that’s never lurid; she makes it clear what happens to Ja’El, for example, without providing graphic details. Dana’s college roommate Alex, a character from Smith’s previous series installment (in which Dana likewise appeared), provides occasional perspective. These moments offer a fascinating alternate view of the protagonist, but they can be jarring when they stray too far from the main story, particularly during Alex’s romance with another character. The somber plot isn’t without a wry sense of humor, though, as when a sardonic Dana notes that she’s “a magnet for men in the drug dealing profession.”

An uncompromising but profound urban tale from an incisive author.

Pub Date: Dec. 29, 2015

ISBN: 978-0-692-61078-7

Page Count: 228

Publisher: Breaking the Line Books

Review Posted Online: March 11, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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