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Behind Closed Doors

DANA'S STORY

From the Behind Closed Doors series , Vol. 2

An uncompromising but profound urban tale from an incisive author.

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After six years in prison, a woman victimized by the system and her loved ones seeks retribution in Smith’s (Behind Closed Doors, 2015) searing drama.

Dana Toussaint’s father, Bernard, may be a drug dealer, but he provides well for his family in 1980s East St. Louis. When he wants out of the business, though, Dana’s mother, Diana, forces him out of the house. Twelve-year-old Dana, her mother, and her three younger siblings move to an apartment in the projects, and Diana, accustomed to having money, does the unthinkable by pimping Dana out to the perverse Mr. James on a regular basis. Years later, the cocaine-addicted teenager becomes a stripper, but she manages to finally escape Mr. James thanks to Tyree, whom an incarcerated Bernard sent to help her. After thugs brutally murder Dana’s friend Ja’El and most of Ja’El’s family, she decides to get out of East St. Louis by attending Gretna State University. She hasn’t left her old life behind, however, as she transports drugs across state lines for Tyree. Unfortunately, someone’s deception results in Dana’s arrest and imprisonment. Six years inside gives her time to compile a mental list of revenge targets, from her mother and Mr. James to Ja’El’s killers. This thoroughly engaging novel boasts a protagonist whose vengeance is justified; the reprehensible Mr. James, for example, is a pedophilic heroin dealer. Smith’s voice is both sturdy and elegant, delivering blunt, edgy prose that’s never lurid; she makes it clear what happens to Ja’El, for example, without providing graphic details. Dana’s college roommate Alex, a character from Smith’s previous series installment (in which Dana likewise appeared), provides occasional perspective. These moments offer a fascinating alternate view of the protagonist, but they can be jarring when they stray too far from the main story, particularly during Alex’s romance with another character. The somber plot isn’t without a wry sense of humor, though, as when a sardonic Dana notes that she’s “a magnet for men in the drug dealing profession.”

An uncompromising but profound urban tale from an incisive author.

Pub Date: Dec. 29, 2015

ISBN: 978-0-692-61078-7

Page Count: 228

Publisher: Breaking the Line Books

Review Posted Online: March 11, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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